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    <title>Joi Labs Blog</title>
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    <id>tag:,2007-09-28:/3</id>
    <updated>2008-07-03T14:37:50Z</updated>
    
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<entry>
    <title>Business Success in Open Networks- Episode #1</title>
    <link rel="alternate" type="text/html" href="http://joilab.ito.com/2008/07/business-success-in-open-netwo.html" />
    <id>tag:joilab.ito.com,2008://3.56</id>

    <published>2008-07-02T06:56:07Z</published>
    <updated>2008-07-03T14:37:50Z</updated>

    <summary>LinkedIn と Joi Labs と 慶應義塾大学國領研究室の合同プロジェ...</summary>
    <author>
        <name>Fumi Yamazaki</name>
        <uri>http://fumi.vox.com</uri>
    </author>
    
    <category term="linkedin" label="linkedin" scheme="http://www.sixapart.com/ns/types#tag" />
    
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        <![CDATA[<font style="font-size: 1.5625em;"><font style="font-size: 1.25em;"><a href="http://linkedin.com/">LinkedIn</a></font> </font>と <font style="font-size: 1.95312em;"><a href="http://joilab.ito.com/">Joi Labs</a></font> と <font style="font-size: 1.5625em;"><a href="http://www.jkokuryo.com/">慶應義塾大学國領研究室</a></font><br />の合同プロジェクトとして、<br />&nbsp;"<font style="font-size: 1.5625em;">Business Success in Open Networks</font>" という映像プロジェクトを開始しました。<br /><br />LinkedInとは、米国で急成長しているビジネスSNS（ビジネス利用に特化したのソーシャル・ネットワーキング・サービス）。<br /><br />2008年６月には登録ユーザー数が2300万人を突破し、ニールセンが毎月発表しているSNS利用状況統計によれば、4月時点で、前年と比較してユニークビジター数は361％も増えているといいます。6月17日には、既存投資家のSequoia Capital、Greylock Partners、Bessemer Venturesが参加した、Bain Capital VenturesによるSeries D資金調達で5300万ドルを集め、10億ドル以上の価値評価がついたことで話題を呼びました。<br /><br />本プロジェクトでも活躍して頂いている折田さんが Nikkei IT Plus にて<br />素晴らしいLinkedInについての記事を書いてくださっているので、是非下記をご参照ください。<br /><br /><a href="http://it.nikkei.co.jp/internet/news/index.aspx?n=MMIT2E000023062008">ビジネス利用に特化し急成長・ビジネスSNSのLinkedIn</a><br /><a href="http://it.nikkei.co.jp/internet/news/index.aspx?n=MMIT2E000024062008">人脈の質を保つ仕組み・ビジネスSNSのLinkedIn</a><br /><a href="http://it.nikkei.co.jp/internet/news/index.aspx?n=MMIT2E000025062008">日本で実名制は受け入れられるか・ビジネスSNSのLinkedIn</a><br /><br />昨年制作した BlogTV でも LinkedIn をフィーチャーした番組を作ったので下記も是非ご覧下さい。<br /><br />取材した2007年3月の時点で LinkedIn は既に黒字化しており、<br />社員もやる気と自信に満ちあふれており、非常に活気のある職場だったのが印象的でした。<br /><br /><br />

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<br /><br /><br /><br />さて、 LinkedIn は会員が実名で登録し、職務経歴を公開し、
オープンな形でのビジネスやネットワークの可能性を追求し成功してきているわけですが
日本独自のビジネス文化と照らし合わせた時に、その可能性はどのようなものなのか。<br /><br />それを探る為に
伊藤穰一(Joi）氏／國領二郎氏のナビゲーションにより様々な角度から検証を行うのがこのビデオシリーズです。




<br /><br /><br /><br /><br />Episode1では、Joiと國領先生により、「日本におけるオープンビジネス」の形と可能性やその背景にある考え方（サクセスとは何か／オープンビジネス、オープンネットワークとは何をもってオープンと呼ぶのか／米国は本当にオープンなのか等）について考察が行われました。<br /><br /><span class="mt-enclosure mt-enclosure-image"><a href="http://joilab.ito.com/linkedin/%E3%83%94%E3%82%AF%E3%83%81%E3%83%A3%202.html" onclick="window.open('http://joilab.ito.com/linkedin/%E3%83%94%E3%82%AF%E3%83%81%E3%83%A3%202.html','popup','width=732,height=479,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://joilab.ito.com/linkedin/%E3%83%94%E3%82%AF%E3%83%81%E3%83%A3%202-thumb-400x261.png" alt="ピクチャ 2.png" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" height="261" width="400" /></a></span><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Episode2以降では、Joiと國領先生が聞き手に回り、毎回素晴らしいゲストの方にご登場頂き、議論を深めて行く予定です。<br /><br />それでは、Episode #1の映像をご覧下さい。<br /><br />
﻿
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﻿<br /><br />﻿﻿﻿
﻿<br /><br /><br /><br /><div><br /></div>]]>
        <![CDATA[なお、実際の撮影は１時間におよびました。<br /><br />カットした部分にも示唆に富む話題が多数ありましたので、下記フルバージョンも公開致します。<br /><br /><br /><br /><br />&lt;Episode1-その1&gt;<br /><br />﻿﻿
﻿﻿﻿<script type="text/javascript" src="http://www.zoome.jp/swfwrite?param=de3d1686fffdf7f5db4410227ae5ae3c72836cd15f5624836723656ca0488279325c7f5718eec5d10d2d0d09b18e2a29e6a7826e3c&amp;width=360&amp;height=288"></script>

﻿﻿﻿﻿<br /><br /><br /><br /><br />&lt;Episode1-その2&gt;<br />﻿﻿﻿<br />﻿

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﻿﻿<br /><br /><br /><br />&lt;Episode1-その3&gt;<br /><br />&nbsp;

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<br /><br /><br /><br />&lt;Episode1-その4&gt;<br /><br />&nbsp;﻿
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　<br /><br /><br />なお、ご参考まで6/30に<a href="http://yihongs-research.blogspot.com/2008/06/linkedin-to-chinese-market-oppotunity.html">中国でのLinkedInについてのリスクと可能性</a>についての記事が書かれたところでした。



<br /><br /><br />==============================================================<br /><br />LinkedIn, Joi Labs and Kokuryo Lab of Keio University has started a joint project to create a video series entitled&nbsp; "<font style="font-size: 1.25em;">Business Success in Open Networks</font>" .<br /><br />The video series will be in Japanese, so I have translated some of the essense of the video as follows.<br /><br />===Business Success in Open Networks===<br /><br />Episode #1&nbsp;&nbsp; by Jiro Kokuryo and&nbsp; Joichi Ito<br /><br /><br /><br />Q: What is the purpose of this video series?<br /><br />According to Reid Hoffman, the founder of LinkedIn, there is a new type of business style "Open Business Network" in Silicon Valley area. LinkedIn is an essential tool for this "Open Business Network".<br /><br />The purpose of this video series is to find out whether this is possible in Japan.<br /><br /><br />Q: What do you mean by "success"?<br /><br />Success can refer to personal success and business success.<br /><br />Many of the successful companies recently tend to be venture internet companies and they grew with the help of labor liquidity, deregulation, innovation etc.<br /><br />Open style is suitable for speedy and innovative companies, which requires professionals and the type of resource they need changes rapidly and need specialized skills.<br /><br />In Japanese startups, it is hard to get those type of people because the skilled people they are locked in to the big companies and are frustrated.<br /><br />We have a hypothesis that LinkedIn might be able to solve this problem.<br /><br />Q: Is US model really open?<br /><br />Japanese business context is more of using the brand of "big companies" compared to the US companies which has more brand of "individuals".<br /><br />In Japan, reputation is made by the fact that this person is has a title (for example head of certain devision) of famous companies.<br />In the US, reputation belongs to individuals and what business experience he or she had.<br /><br />In the US, education background (such as which university you went to) counts more than Japan and in that sense there is a question whether US really "open".<br />In Japan, companies counts more- especially in big companies.<br />For example, people puts "san" to company names or title, such as "LinkedIn-san" or "Manager-san" ("san" is like Mr. or Mrs. in English, and it is usually used to refer to names not companies nor titles. Hoffman-san make sense, but LinkedIn-san or CEO-san is odd- but are commonly used)<br /><br />For individuals, liquidity of labor might be good, because even if the company is not successful, individuals can use their skills to go to next company rather than sticking to current company.<br /><br />Q: Coping with risk?<br /><br />In Silicon Valley, if you perform well in a certain job, then even if the company fails your friends would know you and you would be able to get into successful companies.<br /><br />In shrinking economy, you need to go to growing companies which are typically global, IT, and speedy company<br />&nbsp;which has liquidity of labor - which is similar to Silicon Valley companies.<br /><br />Q:&nbsp; What is "open"? Is making everything open really good?<br /><br />example) Wikipedia<br />example) IBM- open standard, utilization of open software<br /><br />Companies and individuals should have core competence. Things other than the core competence, they should open up.<br /><br />Focus on the competition point, and open up the non-competitive area.<br />&nbsp; ex) disclosing the "business process" of companies<br /><br />Opening up when other company needs to keep it close<br />&nbsp; ex) IBM using Linux (vs MS)<br /><br />If you have value, you will have business model afterwards.<br />Companies that does not have value (but only had rights) will die.<br /><br />Open business can be a strategy for the stronger ones to get stronger.&nbsp; If you have core strength, the environment works better for you when it's open.<br /><br />For maximizing short term profit, it is better to make things closed and control.<br />For maximizing long term profit, it is better to make things open and create ecosystem around you.<br /><br />Q: What does "business success" mean? profit? influence? sustainability?<br /><br />Influence and happiness is different.<br /><br />Typical companies has life cycles (Google, MS, etc has, or had peak).<br />Toyota is ever-growing.<br />There are some companies that don't need or don't want to grow (small and happy family business etc).<br /><br />Typical measurement are growth, mass-production, efficiency, public company, quarterly earnings.<br />However, people who don't fit those typical companies goes to Wikipedia/Linux etc and their happiness and influence is fulfilled.<br /><br />Not only revenue, but strong message, value and happiness gathers good people to your company and opening up will help people's understanding of the company and attracted by you.<br /><br />Communication tool- internet, social network, business network enables people to make various individual human networks.]]>
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<entry>
    <title>Magnum in Motion and Story Planet</title>
    <link rel="alternate" type="text/html" href="http://joilab.ito.com/2008/06/magnum-in-motion-and-story-pla.html" />
    <id>tag:joilab.ito.com,2008://3.55</id>

    <published>2008-06-11T15:48:36Z</published>
    <updated>2008-06-11T15:51:14Z</updated>

    <summary>                                        ...</summary>
    <author>
        <name>Fumi Yamazaki</name>
        <uri>http://fumi.vox.com</uri>
    </author>
    
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        <![CDATA[
                           

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              <span style="font-size: 1.5625em;"><strong><a class="snap_shots" href="http://www.magnumphotos.com/">Magnum Photos<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a> </strong></span>を皆さんはご存知でしょうか？</div>
 
     
                    
                
            
        
        <div class="asset-content"><div class="asset-body preview-links"><p>ピュリッツアー賞を取ったロバート・キャパをはじめ、秀逸な写真家集団です。<strong></strong><br /><a class="snap_shots" href="http://ja.wikipedia.org/wiki/%E3%83%9E%E3%82%B0%E3%83%8A%E3%83%A0%E3%83%BB%E3%83%95%E3%82%A9%E3%83%88">Wikipedia@マグナム•フォト<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a>によると、「<strong><span style="color: rgb(255, 0, 0);">世界最高の写真家集団</span>」</strong>とされています。<br /></p><div id="button_bar"><br />1947年に結成されたということはもう60年前。。。ということで<br />メンバーには年輩な方も多くアナログの世界中心だったわけですが<br />Magnum Photos の写真をもっとデジタルの世界、オンラインで可能性を引き出せないかということで<br /><a class="snap_shots" href="http://inmotion.magnumphotos.com/">Magnum in Motion<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a>　というサイトの制作を行ったのが BJ　こと Bjarke Myrthu さん。<br />NY在住のデンマーク人です。<br /><br /><br /><img alt="" class="reflect" src="http://farm4.static.flickr.com/3158/2548287938_29a91f8b4e.jpg?v=0" height="500" width="333" /><br />
<br />
Photo by&nbsp; <strong><a class="snap_shots" href="http://flickr.com/photos/gullevek/" title="Link to gullevek's photostream"><strong>gullevek</strong><img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a></strong><br />
Licensed under Creative Commons Attribution Noncommercial No Derivative Works 2.0 Generic license<br /><br /><br />Magnum in Motion をまだ見たことがない、ということは是非まずは一度見てみてください。<br />私は写真はまだアマチュアで素人な人ですが、しびれました。<br /><br /><span style="font-size: 1.5625em;"><strong><a class="snap_shots" href="http://inmotion.magnumphotos.com/">http://inmotion.magnumphotos.com<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a></strong></span><br /><br /><br />５月の最終週にBJが来日していたので、彼のやってきたMagnum In Motion について<br />そして彼の新しいプロジェクト Story Planet について、<br />写真に興味がある人を集めてセミナーをやるというイベントを開催しました！<br />
<br /><br />スピーチ２時間、QA30分と非常に長い物になりましたが大変面白かったです。<br />全編、動画を撮影しましたので、こちらで公開したいと思います。<br />写真に興味がある方は是非ご覧下さい。<br />（ノーカットで２時間半ですのでお時間があるときにどうぞ。。。）<br /><br />
    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        





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                <div class="enclosure-asset-name"><a href="http://fumi.vox.com/library/video/6a00c10e0f7408d3b400fad6906a360004.html" title="bj's presentation on Magnum in motion and Story Planet">bj's presentation on Magnum in motion and Story Planet</a></div>
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<br /><br /><br />また、BJのチームが現在開発している新しいサービス Story Planet　は<br />まもなくプライベートβ版が公開予定ですので、関心のある方はinvitation requestを出してみてください。<br /><br /><span style="font-size: 1.25em;"><strong><span style="font-size: 1.25em;"><a class="snap_shots" href="http://www.storyplanet.com/">http://www.storyplanet.com<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a></span></strong></span><a alt="All sizes" class="photo_gne_button sprite-zoom_grey snap_shots" href="http://flickr.com/photos/gullevek/2548287938/sizes/o/" id="photo_gne_button_zoom" style="width: 47px; cursor: pointer;"><br /><br /></a></div><div class="photo_notes" id="photo_notes" style="visibility: visible;"><div id="notes_text_div" style="z-index: 1000; display: none; width: 220px; position: relative;"><table id="notes_text_table" style="padding: 0px;"><tbody><tr><td><img src="http://l.yimg.com/g/images/tc_yellow_tl.gif" height="3" width="3" /></td><td class="td_note_yeller"></td><td><img src="http://l.yimg.com/g/images/tc_yellow_tr.gif" height="3" width="3" /></td></tr><tr><td class="td_note_yeller"></td><td class="td_note_yeller" style="padding: 3px;"><span id="notes_text_span" style="font-family: arial; font-size: 12px;"></span></td><td class="td_note_yeller"></td></tr><tr><td><img src="http://l.yimg.com/g/images/tc_yellow_bl.gif" height="3" width="3" /></td><td class="td_note_yeller"></td><td><img src="http://l.yimg.com/g/images/tc_yellow_br.gif" height="3" width="3" /></td></tr></tbody></table></div></div><div id="comm_div" style="z-index: 1002; display: none;"><table id="comm_table" style="padding: 0px; width: 200px;"><tbody><tr><td style="width: 3px;"><img src="http://l.yimg.com/g/images/tc_white_tl.gif" height="3" width="3" /></td><td class="td_white"></td><td class="td_white"></td><td style="width: 3px;"><img src="http://l.yimg.com/g/images/tc_white_tr.gif" height="3" width="3" /></td></tr><tr><td class="td_white"></td><td class="td_white" style="padding: 3px 0px 0px; width: 1px;" valign="top"><img id="comm_pulser_img" src="http://l.yimg.com/g/images/pulser2.gif" height="15" width="32" /></td><td class="td_white" id="comm_td" style="padding: 3px; font-size: 12px;"></td><td class="td_white"></td></tr><tr id="comm_button_tr"><td class="td_white"></td><td class="td_white"></td><td class="td_white" style="padding: 3px;"></td><td class="td_white"></td></tr><tr><td><img src="http://l.yimg.com/g/images/tc_white_bl.gif" height="3" width="3" /></td><td class="td_white"></td><td class="td_white"></td><td><img src="http://l.yimg.com/g/images/tc_white_br.gif" height="3" width="3" /></td></tr></tbody></table></div><div id="rotate_div" style="z-index: 1003; display: none;"><table id="rotate_table" style="padding: 0px; width: 218px;"><tbody><tr><td style="width: 3px;"><img src="http://l.yimg.com/g/images/tc_white_tl.gif" height="3" width="3" /></td><td class="td_note_white"></td><td style="width: 3px;"><img src="http://l.yimg.com/g/images/tc_white_tr.gif" height="3" width="3" /></td></tr><tr><td class="td_note_white"></td><td class="td_note_white" style="padding: 0px; height: 155px;"><span id="rotate_span" style="font-family: arial; font-size: 12px;"></span></td><td class="td_note_white"></td></tr><tr><td><img src="http://l.yimg.com/g/images/tc_white_bl.gif" height="3" width="3" /></td><td class="td_note_white"></td><td><img src="http://l.yimg.com/g/images/tc_white_br.gif" height="3" width="3" /></td></tr></tbody></table></div><div id="shadow_div" style="z-index: 999; display: none;"><table class="shadow_table" style="padding: 0px;"><tbody><tr><td style="width: 11px;"><img class="trans_png" src="http://l.yimg.com/g/images/tc_white_shadow_tl.png" height="11" width="11" /></td><td id="shadow_width_controller"><img class="trans_png" src="http://l.yimg.com/g/images/tc_white_shadow_t.png" height="11" width="100%" /></td><td style="width: 11px;"><img class="trans_png" src="http://l.yimg.com/g/images/tc_white_shadow_tr.png" height="11" width="11" /></td></tr><tr><td id="shadow_height_controller" style="height: 30px;"><img class="trans_png" src="http://l.yimg.com/g/images/tc_white_shadow_l.png" height="100%" width="11" /></td><td></td><td><img class="trans_png" src="http://l.yimg.com/g/images/tc_white_shadow_r.png" height="100%" width="11" /></td></tr><tr><td><img class="trans_png" src="http://l.yimg.com/g/images/tc_white_shadow_bl.png" height="11" width="11" /></td><td><img class="trans_png" id="shadow_width_controller2" src="http://l.yimg.com/g/images/tc_white_shadow_b.png" height="11" width="100%" /></td><td><img class="trans_png" src="http://l.yimg.com/g/images/tc_white_shadow_br.png" height="11" width="11" /></td></tr></tbody></table></div>


        
          
          
            <br />ちなみに、Magnum Photos 東京支社のサイトは<a class="snap_shots" href="http://www.magnumphotos.co.jp/">こちら<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a>です。  
            </div> 
        </div> ]]>
        
    </content>
</entry>

<entry>
    <title>iSummit2008関連プレスリリース</title>
    <link rel="alternate" type="text/html" href="http://joilab.ito.com/2008/06/isummit2008.html" />
    <id>tag:joilab.ito.com,2008://3.54</id>

    <published>2008-06-11T08:28:36Z</published>
    <updated>2008-06-11T08:37:19Z</updated>

    <summary>              7/29-8/1に、札幌コンベンションセンターで開催...</summary>
    <author>
        <name>Fumi Yamazaki</name>
        <uri>http://fumi.vox.com</uri>
    </author>
    
    <category term="creativecommons" label="creativecommons" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="icommons" label="icommons" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="isummit" label="isummit" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="isummit08" label="isummit08" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://joilab.ito.com/">
        <![CDATA[<div class="asset-content">
            <div class="asset-body preview-links"> <p><span style="font-size: 1.25em;"><strong></strong></span><span style="color: rgb(255, 0, 0); font-size: 1.5625em;"><strong>7/29-8/1</strong></span>に、<span style="color: rgb(255, 0, 0); font-size: 1.25em;"><strong>札幌コンベンションセンター</strong></span>で開催予定のiSummit2008について</p><p>昨日いくつかの共同プレスリリースを出しました。</p><p><br /></p><p>開催概要、申込方法、基調講演のスピーカー情報、日本語セッション概要、<br />コンサートやビデオコンテストを始めとするイベントやワークショップ、<span style="color: rgb(255, 0, 0);"><br /></span>そして東京で6/24に行う「前夜祭」のおしらせと盛りだくさんな内容になっております:)</p><p><span style="font-size: 1.25em;"><strong>【iSummit 2008開催概要】</strong></span></p><p>
■<a class="snap_shots" href="http://www.creativecommons.jp/isummit08/">iSummit2008日本語公式サイト<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a><br />■<a class="snap_shots" href="http://icommonssummit.org/">iSummit2008英語公式サイト<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a><span style="color: rgb(255, 0, 0);"><br /></span> ■開催日：　2008年7月29日（火）～8月1日（金）<br />
■場所：<a class="snap_shots" href="http://www.sora-scc.jp/access.php">札幌コンベンションセンター<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a>　<br />
■主催：<a class="snap_shots" href="http://icommons.org/"> iCommons<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a> <br />
■共催：<a class="snap_shots" href="http://www.city.sapporo.jp/city/">札幌市<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a>、<a class="snap_shots" href="http://www.creativecommons.jp/">クリエイティブ・コモンズ・ジャパン<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a><br />
■後援：<a class="snap_shots" href="http://garage.co.jp/">株式会社デジタルガレージ<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a>、<a class="snap_shots" href="http://netprice.com/">株式会社ネットプライス ドットコム<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a>、<a class="snap_shots" href="http://loftwork.com/">株式会社ロフトワーク<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <a class="snap_shots" href="http://www.tri-b.co.jp/">株式会社トライ・ビー・サッポロ<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a>他<br />
■連絡先：アイコモンズ・サミット2008札幌実行委員会事務局（札幌市役所内） <br />
　　　　　　　TEL：011-211-3103 / E-mail：summit.team@city.sapporo.jp</p><p><br /></p><blockquote><p>年
に一度、世界中のクリエイティブ・コモンズ関係者やオープンな情報流通を応援する人たちが一堂に会し、最先端のデジタルカルチャーについて多角的に検討す
る国際会議「iCommons
Summit（以下iSummit）」が2008年7月29日（火）から8月1日（金）にかけて札幌市の札幌コンベンションセンターで行われます。<br />芸
術・著作権・IT・経済等の各分野から世界中の最高峰の識者が集まり、クリエイティブ・コモンズをはじめとする、オープンな情報共有のあり方に関して広く
深く、先進的な議論を交わします。
これまでもブラジル、クロアチアなどで行われてきましたが、今年は、より多くの人に親しんでもらえるようなコンサートやワークショップ等も行い、この機会
にクリエイティブ・コモンズに対する理解の裾野が広がることを目指しています。</p></blockquote>　 <br /><span style="font-size: 1.25em;"><strong>【申込方法】<br /></strong></span><br /><a class="snap_shots" href="http://www.creativecommons.jp/">http://www.creativecommons.jp/<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a>からお申し込みください。<span style="color: rgb(255, 0, 0);"></span><p>参加費用は以下の通りです。<br />一般・営利企業（全期間有効）　78,100円<br />NPO・学術研究者・政府関係者（全期間有効）　　56,100円<br />学生（全期間有効）　　23,100円<br />2-Day Pass(期間中2日間有効)　33,000円(日本人および日本在住の方向け特別割引)</p><p><span style="font-size: 1.25em;"><strong>【基調講演】</strong></span></p><p>基
調講演として、デジタル文化やコモンズ（共有資源）の分野において活躍されている実業家、ジャーナリスト、研究者などを世界各地からお招きし、より広い視
野から、私たちの文化や未来、その中でオープン性や共有資源の果たす役割について考える手がかりとなるような講演をお届けします。</p><p>講演予定者はNew Oxford American Dictionaryの編集長を勤めた<span style="color: rgb(255, 0, 0); font-size: 1.25em;"><strong>Erin Mckean</strong></span>氏、ジャーナリスト<span style="color: rgb(255, 0, 0); font-size: 1.25em;"><strong>Rebecca MacKinnon</strong></span>氏、オープンコンテンツの創始者<span style="color: rgb(255, 0, 0); font-size: 1.25em;"><strong>David Wiley</strong></span>氏、角川ホールディングス会長<span style="color: rgb(255, 0, 0); font-size: 1.25em;"><strong>角川歴彦</strong></span>氏、ソニーコンピュータサイエンス研究所取締役副所長<span style="color: rgb(255, 0, 0); font-size: 1.25em;"><strong>北野宏明</strong></span>氏、クリエイティブ・コモンズCEO兼デジタルガレージ取締役の<span style="color: rgb(255, 0, 0); font-size: 1.25em;"><strong>伊藤穰一</strong></span>氏などに登壇頂く予定となっております。<br />（基調講演は日本語の同時通訳が行われます。）</p><p>基調講演スピーカーの一覧はこちらからご覧頂くことができます。（英語）<br /><a class="snap_shots" href="http://icommonssummit.org/programme/keynote.html">http://icommonssummit.org/programme/keynote.html<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a></p><p><span style="font-size: 1.25em;"><strong>【日本語プログラム】</strong></span></p><p>日本語でのプログラムとしては、フリーライセンスやオープンコンテンツと技術、政策、教育、ビジネスなどの関係を扱うセッションを開催します。講演者は北海道大学の<span style="color: rgb(255, 0, 0); font-size: 1.25em;"><strong>田村善之</strong></span>教授、ITジャーナリストの<span style="color: rgb(255, 0, 0); font-size: 1.25em;"><strong>津田大介</strong></span>氏、ゲームデザイナーの<span style="color: rgb(255, 0, 0); font-size: 1.25em;"><strong>飯野賢治</strong></span>氏、日本オープンコースウェア・コンソーシアム（<span style="color: rgb(255, 0, 0); font-size: 1.25em;"><strong>JOCW</strong></span>）、日本デジタルコンテンツ協会（<span style="color: rgb(255, 0, 0); font-size: 1.25em;"><strong>DCAJ</strong></span>）、Nifty、ニコニコ動画などで知られる<span style="color: rgb(255, 0, 0); font-size: 1.25em;"><strong>ニワンゴ</strong></span>、“初音ミク”を生み出した<span style="color: rgb(255, 0, 0); font-size: 1.25em;"><strong>クリプトン・フューチャー・メディア</strong></span>、
その他多くの個人、団体を予定しています。発表・討論と並行して動画・リミックスTシャツ製作・オンラインブック・音楽リミックス等のワークショップを開
催し、クリエイティブ・コモンズ•ライセンスをつけた作品の発表・リミックスなどを実体験出来る場を設け、日本における多様なオープン化への取り組みの最
前線を探り、未来を展望します。プログラムの詳細は、近くiSummit公式サイトで発表いたします。</p>
    
    
    

    
    
    

    
    
    

    
    
    

    
    
    
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<p><br /><span style="font-size: 1.25em;"><strong><span style="color: rgb(255, 0, 0);"></span></strong></span></p><p><strong><br />【"SPECIAL DANCE PARTY "　OKI DUB AINU BAND &amp; MAREWREW 　Live Showcase】</strong></p><p>iSummitの期間中、7月30日（水）に　併設イベントとして『<span style="color: rgb(255, 0, 0); font-size: 1.25em;"><strong>iCommons-Summit 2008　" SPECIAL DANCE PARTY "OKI DUB AINU BAND &amp; MAREWREW&nbsp;&nbsp; Live Showcase</strong></span>』
を株式会社デジタルガレージの主催で行います。メインのOKI DUB AINU BAND &amp;
MAREWREWは樺太アイヌの伝統楽器『トンコリ』を現代に復活させたOKI率いる日本/アイヌ発のロックバンドにアイヌ伝統女性ボーカルを加えた9人
編成のスペシャルバンドです。<span style="color: rgb(255, 0, 0);"></span></p><p>■開催日：2008年7月30日（水）<br />■時間：20：00オープン　20：30スタート<br />■会場：札幌市内JASMAC PLAZA ZANAEDU(札幌市中央区南7条西3丁目)<br />■入場料：無料（入場者多数の場合は制限させていただきます）<br />■主催：株式会社デジタルガレージ<br />■協力：iCommons、アイコモンズ・サミット2008札幌実行委員会、クリエイティブ・コモンズ・ジャパン</p><p><br /><span style="font-size: 1.25em;"><strong>【音景2008：CCミュージック・ビデオ・コンテスト】<br /></strong></span><br />クリエイティブ・コモンズ　ミュージック・ビデオ・コンテスト「音景2008：CCミュージック・ビデオ・コンテスト（以下「CCコンテスト」）」は、 参加する人全員で作る映像コンテストです。CCコンテストは、<span style="color: rgb(255, 0, 0); font-size: 1.25em;"><strong>坂本龍一</strong></span>氏や<span style="color: rgb(255, 0, 0); font-size: 1.25em;"><strong>小山田圭吾</strong></span>氏、<span style="color: rgb(255, 0, 0); font-size: 1.25em;"><strong>大沢伸一</strong></span>氏
といったプロのアーティストが、ミュージック・ビデオ作品と素材を、CCコンテストのために5つの動画共有サービス・サイトを通してクリエイティブ・コモ
ンズ・ライセンスで提供しています。　2007年までに、日本における動画共有サービス5社 ―
—フリップクリップ（株式会社フリップクリップ）、クリップライフ（NTTレゾナント株式会社）、＠niftyビデオ共有（株式会社ニフティ）、
eyeVio（ソニー株式会社）、Yahoo!ビデオキャスト（ヤフー株式会社） ―
がクリエイティブ・コモンズ・ライセンスを導入しました。刺激的で、なおかつ合法なリミックス文化の土壌が整えられようとするこの状況を更に一歩前進させ
るために、iSummitの機会に合わせて、世界的にも例のない複数動画共有サービスが相互に協力する横断的な映像作品コンペを開催いたします。<br />■公式サイト：http://creativecommons.jp/onkei2008/</p><p><br />
		 
            </p><div class="pddL10 pkg">
            	<p><a class="snap_shots" href="http://creativecommons.jp/onkei2008/judge#1"><img alt="小山田圭吾" src="http://creativecommons.jp/onkei2008/images/bnn_top02.gif" height="125" width="175" /></a></p>
            	<p><a class="snap_shots" href="http://creativecommons.jp/onkei2008/judge#2"><img alt="大沢伸一" src="http://creativecommons.jp/onkei2008/images/bnn_top01.gif" height="125" width="175" /></a></p>
            	<p class="noPdd"><a class="snap_shots" href="http://creativecommons.jp/onkei2008/judge#3"><img alt="坂本龍一" src="http://creativecommons.jp/onkei2008/images/bnn_top03.gif" height="125" width="175" /></a></p>
            </div><p><span style="font-size: 1.25em;"><strong>【すしプロジェクト】</strong></span>
</p><p>
本サミットの趣旨に呼応するかたちで、札幌・北海道・日本が誇る「すし文化」を更に世界文化たる「スシ・カルチャー」へと進化させることを目的に、『すし
プロジェクト』と題して、世界中から新しいすしのレシピ及びデザインを募集することにしました。4部門を設け、部門毎に斬新性、発信性などの観点から
優秀な作品を選出、本サミットにおいて発表、優秀作品は、iSummit公式ホームページで紹介するとともに、
レシピ・デザイン集としてクリエイティブ・コモンズ・ライセンスを付けて世界中に発信する予定です。<br />
■募集期間：平成20年3月31日（月）～平成20年6月30日（月）　<br />
■公式サイト：http://www.city.sapporo.jp/isummit08/sushi.html</p><p><span style="font-size: 1.25em;"><strong>【iSummit 前夜祭　”クリエイティブ・コモンズ宴“】</strong></span><br /><span style="color: rgb(255, 0, 0);"><br /></span>iSummit
の前夜祭として、パーティー形式でクリエイティブ・コモンズについて触れることのできるイベントを企画し、iSummitのプログラムや、CCミュージッ
ク・ビデオ・コンテストの紹介、生動画編集イベント等、盛りだくさんの内容を予定しております。iSummitの内容を知る良い機会となるものと考えてお
ります。<br />■日時：2008年6月24日　19：00スタート<br />■会場：東京カルチャーカルチャー(東京都江東区青海1丁目パレットタウン Zepp Tokyo2F) <br />参考：http://www.creativecommons.jp/news/2008/06/05/cc_624.html<span style="color: rgb(255, 0, 0);"></span></p><p><span style="font-size: 1.25em;"><strong>【共同プレスリリース一覧】<span style="color: rgb(255, 0, 0);"></span></strong></span></p><strong></strong><p>デジタルガレージのプレスリリースはこちら</p>

<div style="width:425px;text-align:left" id="__ss_459078"><object style="margin:0px" height="355" width="425"><param name="movie" value="http://static.slideshare.net/swf/ssplayer2.swf?doc=080610dgisummitpress-1213118749098792-8"/><param name="allowFullScreen" value="true"/><param name="allowScriptAccess" value="always"/><embed src="http://static.slideshare.net/swf/ssplayer2.swf?doc=080610dgisummitpress-1213118749098792-8" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="355"></embed></object><div style="font-size:11px;font-family:tahoma,arial;height:26px;padding-top:2px;"><a href="http://www.slideshare.net/?src=embed"><img src="http://static.slideshare.net/swf/logo_embd.png" style="border:0px none;margin-bottom:-5px" alt="SlideShare"/></a> | <a href="undefined" title="View this slideshow on SlideShare">View</a> | <a href="http://www.slideshare.net/upload">Upload your own</a></div></div><img style="visibility:hidden;width:0px;height:0px;" border=0 width=0 height=0 src="http://counters.gigya.com/wildfire/CIMP/bT*xJmx*PTEyMTMxNzMzNDgxNjAmcHQ9MTIxMzE3MzM4NjMyMiZwPTEwMTkxJmQ9Jm49Jmc9Mg==.jpg" />




<br /> <div>クリエイティブ•コモンズ•ジャパンのiSummitについてのプレスリリースは<a class="snap_shots" href="http://www.creativecommons.jp/isummit08/isummit_release.pdf">こちら<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a><span style="color: rgb(255, 0, 0);"><br /></span>クリエイティブ•コモンズ•ジャパンのビデオコンテスト「音景2008」についてのプレスリリースは<a class="snap_shots" href="http://www.creativecommons.jp/onkei2008/onkei_release.pdf">こちら<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a><span style="color: rgb(255, 0, 0);"><br />
</span>ニフティのビデオコンテスト「音景2008」についてのプレスリリースは<a class="snap_shots" href="http://www.nifty.co.jp/cs/08kami/detail/080610003370/1.htm">こちら<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a><span style="color: rgb(255, 0, 0);"><br />
</span>ロフトワークのクレヨンワークショップ＠iSummitについてのプレスリリースは<a class="snap_shots" href="http://www.loftwork.jp/newsservice/20080610_iSummitWorkshop.html">こちら<img id="snap_com_shot_link_icon" class="snap_preview_icon" style="border: 0pt none ; margin: 0pt ! important; padding: 1px 0pt 0pt; max-height: 2000px; max-width: 2000px; min-width: 0px; min-height: 0px; font-style: normal; font-weight: normal; font-family: &quot;trebuchet ms&quot;,arial,helvetica,sans-serif; float: none; position: static; left: auto; top: auto; line-height: normal; background-image: url(http://i.ixnp.com/images/v3.33.0.2/theme/silver/palette.gif); background-color: transparent; visibility: visible; width: 14px; height: 12px; background-position: -1158px 0pt; background-repeat: no-repeat; text-decoration: none; vertical-align: top; display: inline;" src="http://i.ixnp.com/images/v3.33.0.2/t.gif" /></a><br /><br /></div></div></div>]]>
        
    </content>
</entry>

<entry>
    <title>Creative Commons Announces New Leadership, New Funding</title>
    <link rel="alternate" type="text/html" href="http://joilab.ito.com/2008/04/creative-commons-announces-new.html" />
    <id>tag:joilab.ito.com,2008://3.53</id>

    <published>2008-04-03T02:39:43Z</published>
    <updated>2008-04-03T02:46:28Z</updated>

    <summary>Joi, who is the chairman of Creative Com...</summary>
    <author>
        <name>Fumi Yamazaki</name>
        <uri>http://fumi.vox.com</uri>
    </author>
    
    <category term="creativecommons" label="creativecommons" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://joilab.ito.com/">
        <![CDATA[<p>Joi, who is the chairman of Creative Commons now, is going to be the CEO of Creative Commons.</p><p>Lessig, who is the current CEO of CC will focus on Change Congress project, but stay on CC board.</p><p><br /></p>Press release is as follows.<br /><br /><p><a href="http://joi.ito.com/jp/archives/2008/04/03/004798.html">日本語の翻訳はこちら</a>です。</p><br /><br /><p><br /></p>

<blockquote><blockquote>Creative Commons Announces New Leadership, New Funding

<p>San Francisco, CA, USA -- April 1, 2008</p>

<p>Creative Commons, a nonprofit organization that works to expand the
body of creative work available to the public for legal sharing and
use, today announced both a leadership evolution and a major new grant
of $4 million from the William and Flora Hewlett Foundation to support
its activities. "Both pieces of news we are announcing today reflect
Creative Commons' maturation from a startup into crucial infrastructure
for creativity, education, and research in the digital age," said the
organization's founder, Stanford law professor Lawrence Lessig.
Creative Commons celebrated its fifth anniversary last December.</p>

<p>Lessig has announced a shift of academic focus from copyright to
political corruption. He recently launched Change Congress, a movement
to increase transparency in the US government's legislative branch. In
order to concentrate on this effort, Lessig is stepping down as CEO of
Creative Commons. He will be replaced by entrepreneur, venture
capitalist, and free culture advocate Joi Ito. Lessig will remain on
the Creative Commons board.</p>

<p>"Although I have changed my focus, I'm still very much committed to
Creative Commons and the Free Culture cause," Lessig said. "The work I
intend to do with Change Congress is in many ways complementary to the
work of Creative Commons. Both projects are about putting people in
power and enabling them to build a better system. I could not be more
pleased to hand off the leadership of Creative Commons to the
extraordinarily passionate and qualified Joi Ito."</p>

<p>"Under Larry's management, Creative Commons has grown from an
inspirational idea to an essential part of the technical, social, and
legal landscape involving organizations and people in 80 countries,"
said Ito. "With it, the organization has grown in size and complexity,
and I am excited to increase the level of my participation to help
manage this amazing group of people. The Hewlett Foundation has been a
major supporter of ours from the beginning and we could not be more
grateful for their support going forward into the future."</p>

<p>Founding board member and Duke law professor James Boyle will become
chair of the board, replacing Ito, who remains on the board. "Jamie has
demonstrated his commitment to Creative Commons from its founding,"
said Lessig. "He led the formation of Science Commons and ccLearn, our
divisions focused on scientific research and education respectively.
There is no person better suited to lead the Creative Commons board."</p>

<p>Boyle is optimistic about Creative Commons' future. "If one looks at
all the amazing material that has been placed under our licenses - from
MIT's Open Courseware and the Public Library of Science to great music,
from countless photographs and blogs to open textbooks - one realizes
that, under Larry's leadership, the organization has actually helped
build a global 'creative commons' in which millions of people around
the world participate, either as creators or users. My job will be to
use the skills of the remarkable people on our board - including a guy
called Larry Lessig, who has promised me he isn't going away any time
soon - to make sure that mission continues and expands."</p>

<p>The Hewlett Foundation grant consists of $2.5 million to provide
general support to Creative Commons over five years and $1.5 million to
support ccLearn, the division of Creative Commons that is focused on
open educational resources. "The William and Flora Hewlett Foundation
has been a strong supporter of openness and open educational resources
in particular," said Catherine Casserly, the Director of the Open
Educational Resources Initiative at Hewlett. "Creative Commons licenses
are a critical part of the infrastructure of openness on which those
efforts depend." The Hewlett grant was a vital part of a five-year
funding plan which also saw promises of support from Omidyar Network,
Google, Mozilla, Red Hat, and the Creative Commons board.</p>

<p>Creative Commons also announces two other senior staff changes.
Diane Peters joins the organization as General Counsel. Peters arrives
from the Mozilla Corporation, serves on the board of the Software
Freedom Law Center, and was previously General Counsel for Open Source
Development Labs and the Linux Foundation. She has extensive experience
collaborating with and advising nonprofit organizations, development
communities, and high-tech companies on a variety of matters.</p>

<p>Vice President and General Counsel Virginia Rutledge, who joined
Creative Commons last year from Cravath, Swaine &amp; Moore LLP, will
take on a new role as Vice President and Special Counsel. In her new
role, Rutledge will focus on development and external relations, while
continuing to lead special legal projects.</p>

<p><br />
About Creative Commons</p>

<p>Creative Commons is a not-for-profit organization, founded in 2001,
that promotes the creative re-use of intellectual and artistic works,
whether owned or in the public domain. Through its free copyright
licenses, Creative Commons offers authors, artists, scientists, and
educators the choice of a flexible range of protections and freedoms
that build upon the "all rights reserved" concept of traditional
copyright to enable a voluntary "some rights reserved" approach.
Creative Commons was built with and is sustained by the generous
support of organizations including the Center for the Public Domain,
Omidyar Network, the Rockefeller Foundation, the John D. and Catherine
T. MacArthur Foundation, and the William and Flora Hewlett Foundation,
as well as members of the public. For more information about Creative
Commons, visit http://creativecommons.org.</p>

<p><br />
Contact</p>

<p>Eric Steuer<br />
Creative Director, Creative Commons<br />
eric (at) creativecommons (dot) org</p>

<p><br />
Press Kit</p>

<p><a href="http://creativecommons.org/presskit">http://creativecommons.org/presskit</a></p></blockquote></blockquote> ]]>
        
    </content>
</entry>

<entry>
    <title>Japanese sub-culture and copyright issues</title>
    <link rel="alternate" type="text/html" href="http://joilab.ito.com/2008/03/japanese-subculture-and-copyri.html" />
    <id>tag:joilab.ito.com,2008://3.52</id>

    <published>2008-03-06T04:31:27Z</published>
    <updated>2008-03-06T11:16:38Z</updated>

    <summary>I have written a post on Hatsune-Miku an...</summary>
    <author>
        <name>Fumi Yamazaki</name>
        <uri>http://fumi.vox.com</uri>
    </author>
    
    <category term="creativecommons" label="creativecommons" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="dojin" label="dojin" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="dojinshi" label="dojinshi" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="hatsunemiku" label="Hatsunemiku" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="miku" label="miku" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="nicovideo" label="nicovideo" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://joilab.ito.com/">
        <![CDATA[I have written a post on <b><font style="font-size: 1.25em;"><a href="http://joilab.ito.com/2008/02/hatsunemiku.html">Hatsune-Miku</a></font></b> and <font style="font-size: 1.25em;"><b><a href="http://joilab.ito.com/2008/02/nico-nico-douga.html">Nico Nico Douga</a></b></font> recently.<br />Today I would like to write my views on the cultural background of these cultures in Japan.<br /><br />===================<br /><b>Dojinshi and Comiket</b><br />===================<br /><br /><a href="http://en.wikipedia.org/wiki/D%C3%85%C2%8Djinshi">Dojinshi</a> is self published books, which often are manga or novels, <br />and are majorly made by amateurs (although some professional artists publish Dojinshi as well).<br /><br />There are 2 types of Dojinshi, <font style="font-size: 1.25em;"><b>original</b></font> and <font style="font-size: 1.25em;"><b>parody</b></font>.<br />Parodies include comics, novels, animes, games, celebritiess and idols, etc.<br /><br />There are majorly 3 ways to buy Dojinshi<br />1) Dojinshi events (such as <a href="http://en.wikipedia.org/wiki/Comiket">Comiket</a>)<br />2) Online purchase<br />3) stores (though very limited)<br /><br />1) Among the Dojinshi events, <b>Comiket</b> (which stands for Comic Market) is the largest one.<br />It is actually the world's largest comic convention, held twice a year in Tokyo.<br /><br />Comicket has majorly parodies (especially anime parodies) and some original,<br />there are Dojinshi events such as <b>Comitia</b> which is original dojinshi only.<br /><br />Quote from an article of <a href="http://consult.nikkeibp.co.jp/consult/market-news/contents/column/column23-5.html">Nikkei BP Consulting</a>(JP)<br /><br /><blockquote>Comiket72 was held on 2007/8/17-8/19, with <b>35,000 circles</b> and <b>550,000 participants</b>.<br />Revenue from official catalogues was 264,000,000 yen,<br />circle participation fee is 7,500 yen * 35,000 circles meaning 262,500,000 yen<br />Dojinshis are sold for an average of 1,000 yen, and MASSIVE amount of dojinshi are sold on these 3 days.<br /></blockquote><br />Comiket official site has <a href="http://www.comiket.co.jp/info-a/WhatIsEng080225.pdf">an English PDF document explaining what Comiket is</a>.<br /><br />-Circles participants are 71% women, audience participants are 57% women.<br />-Circles genre are manga 41% anime 9% games30%<br />-Other(music, celebrities, sports, history, novels, etc) 20%<br /><br />===================<br /><b>Original Dojinshi</b><br />===================<br /><br />A couple of weeks ago, I went to the symposium of Media Art Festival<br />and was found the panel discussion of Ms. Yumiko Shirai extremely interesting.<br /><br />Ms. Shirai is a professional illustrator, and all the mangas that she publishes are published as dojinshi<br />sold either at Dojinshi events such as Comiket or Comitia, or online.<br /><br />She wrote a doujinshi manga called "Tenjinsai", which won the prize in the comic division of the festival.<br />"Tenjinsai" is a Science Fiction / Fantasy manga,<br />about future of Japan which is nuclear polluted by war, and there are bamboos that cleanses<br />the radioactives.<br /><br />Q: Why do you publish in Dojinshi rather than commercial manga publications?<br />A: I used to write in commercial manga publication.<br />However mangas that are expected in commercial world needs to be "catchy" and has cute girls<br />as those mangas sell well. You are expected to draw those.<br /><br /><font style="font-size: 1.25em;"><b>If I write in Dojinshi, I can create whatever I want to, <br />and </b><b>people who'd be deeply involved in my works will buy and read my books.<br /></b></font><br /><br /><br /><br />


<a href="http://www.flickr.com/photos/fumi/2310273274/" title="天顕祭 by fumi, on Flickr"><img src="http://farm3.static.flickr.com/2048/2310273274_791cf6a5e0.jpg" alt="天顕祭" height="500" width="333" /></a>


<br /><br /><br /><br />Q: How did you come to create dojinshi?<br />A: When I was in highschool- like all other people does...<br /><br />Although there are lots of people who don't make dojinshi at highschools,<br />but it is true that we had the same situation in our highschool too.<br /><br />People loves mangas here in Japan... so they write illustrations and mangas on notebooks etc<br />and some of them start copying them and distribute them to their classmates (with like 10 yen copy fee)<br />and some starts printing their mangas using publishing factories, <br />and start attending Comikets as audience... then as circles... then even as staffs.<br /><br />I think that even if Dojinshi or Comikets existed or not does not affect<br />people's energy and motivation to create parodies<br />- love and imagination for the characters will be there anyways.<br />But because Comikets exists, people can enjoy it as a place to make their work public.<br /><br />Oh- also, people were already making MAD animes already 10 years ago too.<br />They had several video recorders and were creating MAD animes like this.<br /><a href="http://www.nicovideo.jp/watch/sm326518">HaruhiGellion</a><br /><br />Actually, all of the other panelists: Kenji Taketomi who won the prize, <br />and the 2 judges - were all writing Dojinshi in the past.<br /><br />Mr. Taketomi was submitting his mangas to commercial publications<br />and when they were not accepted, he would publish them as dojinshi.<br />So if there wasn't dojinshi market, those mangas would not have had anywhere to make it to the public.<br />Dojinshi served an excellent role of <font style="font-size: 1.25em;"><b>motivating the amateur manga creators <br />to create, publish and make public and sell at dojinshi events.</b></font><br /><br />Mr. Monkey Punch, one of the judges- had nowhere to publish his mangas 42 years ago <br />(2 years before he started the famous Lupin series), and decided to create dojinshi.<br />He created 50 copies and sent them for free to the commercial publications<br />and eventually became a professional manga writer.<br /><br />Mr. Kotobuki Shiriagari, the other judge- was actually amazed that Mr. Monkey Punch <br />was distributing his dojinshi for free.<br />He was in comic club in highschool, so the club made a dojinshi and went to Comiket<br />but made too much (2000 copies) and tried to sell them for profit and had a hard time he says.<br /><br />So I think it all comes down to <font style="font-size: 1.25em;"><b>being able to create what the creators want to create</b>,</font><br />and the existence of a place where they can <font style="font-size: 1.25em;"><b>make their creation public</b>.</font><br /><br />Dojinshi and Comiket was the place for manga creators for a long time...<br />and now with the videos, it is YouTube and Nico Nico Douga etc that serves those needs.<br /><br />There is this very popular and AMAZING anime in Nico Nico Douga, "<a href="http://www.smilevideo.jp/view/2453543/788005">the song of fish</a>". <br />This was created by one student as the <b>graduation project</b><br />this creator created the anime, music, lyrics, everything.<br />
<br />This is another graduation project called "<a href="http://www.nicovideo.jp/watch/sm566938">Whale</a>", and the creator is saying that<br /><b>if Nico Nico did not exist, this anime would have never been made public</b>.<br /><br />=========================<br /><b>incentives for the creators</b><br />=========================<br /><br />I think there are majorly 5 kinds of desires for the creators:<br /><br /><b>1) Desire to create (want to create things they like, they want to create)<br />2) Desire to make public of their creation<br />3) Desire to be accepted, get comments and feedback<br />4) Desire to make their creation better, desire to be remixed by others<br />5) Desire for reward (monetary compensation, fame, etc)<br /></b><br />Not everyone desires the same thing, but I think the major desire that people has is those 5 things.<br /><br />Dojinshi and Comikets fulfill those 5 desires.<br /><br />Hatsune-Miku and Nico Nico Douga fulfill 1-4 desires, <br />and there is a hot debate in Japan as to how 5) shall be realized<br />-an effort to make a scheme to <font style="font-size: 1.25em;"><b>pay the creators</b></font>.<br /><br />For example, a scheme to pay the creators who uploaded interesting videos to Nico Nico Douga.<br />I think there are people who would be willing to pay the creators if they had the method<br />- but the industry is still debating about the best way how to conpensate (monetize) CGM.<br /><br />Recently there was a creator who made a 3D CG application, which enables people to create 3DCGs.<br />The application was amazingly great and <a href="http://www.nicovideo.jp/watch/sm2457673">people who created 3DCGs using that tool</a><br />started to claim that <font style="font-size: 1.25em;"><b>they want to pay the creator </b></font>:)<br /><br />But there is no way people can pay under the status quo- and a method to create that is needed,<br />&nbsp;probably not as an ad model, but as <font style="font-size: 1.25em;"><b>a way to pay the creators directly</b></font>.<br /><br />This discussion reminded me of <a href="http://magnatune.com/">Magnatune </a>- an online music label.<br />If individuals wanted to listen to music via Magnatune, they can listen and <br />if the individual liked that artist/music, they can pay the amount they want to pay to download the album.<br /><br /><br /><br /><br />

<a href="http://s241.photobucket.com/albums/ff278/siva001/?action=view&amp;current=5-3.png" target="_blank"><img src="http://i241.photobucket.com/albums/ff278/siva001/5-3.png" alt="Photobucket" border="0" /></a> <br /><br /><br /><br /><br />(B2B models - like using for movies etc - has a different page for that too)<br /><br />It is interesting to see what makes people motivated, and what is the best way to reward the creators.<br />For some people, it is money. For others, it is not necessarily money that makes them motivated.<br /><br />For example, previously mentioned Mr. Monkey Punch was distributing his dojinshi free of charge.<br />Getting a job as manga creater was his goal- not getting paid for the mangas he created.<br /><font style="font-size: 1.25em;"><b>Distribution was more important for him</b></font> then<br />- until he actually gets paid by the manga publishing companies.<br /><br />At an event called Tokyo Game Show, there were people who does costume plays (cosplayers).<br />It is interesting to see that these cosplayers don't demand money for shooting photos of them<br />- rather, they say "please take a nice photo of me!" "thank you for taking a photo of me!" :)<br />They're not doing this for the sake of money, but <font style="font-size: 1.25em;"><b>because they love it.</b></font><br /><br />People who submits funny and/or interesting videos to Nico Nico Douga<br />- they are not doing this for money either. Nico Nico does not pay anything.<br />It is rather the love of what they are doing, <br />and all the <font style="font-size: 1.25em;"><b>feedbacks of the communities</b></font> that motivates them.<br />The word <font style="font-size: 1.25em;"><b>"Thank you"</b></font>.<br /><br /><br />===================<br /><b>Peer production</b><br />
===================<br />
<br />***<b>Vocaloid "Mutual Aid" Wiki</b>***<br /><br />&nbsp;There are projects that tries to get together various people and create artworks. <br />&nbsp;Some people can write music using DTM, some can create lyrics,<br />&nbsp;some can draw pictures, create animes, write wikis for the work etc.<br />&nbsp;They all can use their expertise to make a great work.<br /><br />. ..and this reminded me of the project "Star Wreck".<br /><br /><br />***<b>Star Wreck</b>***<br /><br /><br /><a href="http://starwreck.com/">Star Wreck</a> is a Star Trek parody movie created by students in Finland, <br />&nbsp;and was  distributed under Creative Commons license.<br /><br /><br />

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<br />They only had 5 people in the team- but when people started to see the video,<br />&nbsp; people who can make music told them they'd create music for them,<br />&nbsp; some told them they would help write the scenario,<br />&nbsp; and some told them they'd do extra actors- there were 300 people who helped create the movie<br />&nbsp; and 3,000 people in their active community. <br />&nbsp; Star Wreck was downloaded 5 million times, and got translated into 30 different languages.<br />&nbsp; They have a contract with Universal, and got their DVD sold<br />&nbsp; - although everything are public on the internet CC licensed.<br /><br />&nbsp; They are planning to create more high quality movies with this community as "Star Wreck Studio".<br /><br /><br />===================<br /><b>Parody dojinshi</b><br />===================<br /> <br />There are MASSIVE parody dojinshis and there's a LOT to write about,<br />but I would like to focus on the&nbsp; copyright infringement issue in&nbsp; this article<br />and probably write about those massive stuff elsewhere :P<br /><br />Are parody mangas illegal? Basically, yes. <br />Unless the copyright holder explicitly says that they allow fanfic/parody, it is illegal to make parodies.<br />However, because the advertising effect of fanfic/parody is extremely big,<br />it is sometimes accepted as "grey zone".<br /><br />There are cases that users are explicitly allowed to remix though...<br /><br /><br /><br />***<b>Hatsune-Miku</b>***<br /><br /><br />Hatsune-miku has official pictures that people are able to be "inspired" and create parodies.<br />"<font style="font-size: 1.25em;"><b><a href="http://www.piapro.jp/">Piapro</a></b></font>", which stands for "peer production" is a site operated by Crypton (which produced Hatsune-Miku)<br />and people can upload their pictures, illustrations, music, video, etc that are parodies of Hatsune-Miku <br />(and other VOCALOID series)<br /><br />This is the <a href="http://www.crypton.co.jp/mp/pages/prod/vocaloid/cv01.jsp">original illustration drawn by KEI</a><br /><br /><br /><br />

<a href="http://s241.photobucket.com/albums/ff278/siva001/?action=view&amp;current=2-3.png" target="_blank"><img src="http://i241.photobucket.com/albums/ff278/siva001/2-3.png" alt="Photobucket" border="0" /></a>


<br /><br /><br />These are some of the various parodies that users created.<br /><br />

Miku illustration drawn by an artist called <a href="http://piapro.jp/momone">momone</a>(成宮桃猫さん- Momoneko Narumiya） entitled "<a href="http://piapro.jp/a/content/?id=tijjb2hb0c4l1zto">sora ni tokeru</a>"

<br /><br /><br /><a href="http://s241.photobucket.com/albums/ff278/siva001/?action=view&amp;current=heaqpr8b.jpg" target="_blank"><img src="http://i241.photobucket.com/albums/ff278/siva001/heaqpr8b.jpg" alt="&amp;#12381;&amp;#12425;&amp;#12395;&amp;#12392;&amp;#12369;&amp;#12427;" border="0" /></a>

<br /><br /><br />Another Miku illustration drawn by <a href="http://www.piapro.jp/makotok1">makotok1</a>, entitled "<a href="http://www.piapro.jp/a/content/?id=7m68bqbkhgoqpelc">negi furimachigaeta!</a>"

<br /><br /><br /><br /><a href="http://s241.photobucket.com/albums/ff278/siva001/?action=view&amp;current=_makotok1_200803030340.jpg" target="_blank"><img src="http://i241.photobucket.com/albums/ff278/siva001/_makotok1_200803030340.jpg" alt="&amp;#12397;&amp;#12366;&amp;#25391;&amp;#12426;&amp;#12414;&amp;#12385;&amp;#12364;&amp;#12360;&amp;#12383;&amp;#12387;&amp;#65281;" border="0" /></a>









<br /><br /><br /><br /><br /><br />Crypton made this Piapro site so that people can feel safe,<br />make sure they are not violating any law, and a place where everyone can bring together what they created<br />and can say "thank you" to what other people created.<br /><br />Enhancing collaboration is the purpose of the site, <br />so only the works that allow parody or remix can be uploaded to Piapro.<br /><br />Just like Creative Commons license, creators choose whether they want attribution,<br />or whether they allow derivatives, and upload them.<br />If you use other people's work, you put comment on the site and thank the creator for the artwork.<br /><br /><br />***<b>Star Wars</b>***<br /><br /><br />George Lucas always respected the creations of fans, and he is famous for it.<br />Last year, Lucas Arts officially launched a site called <font style="font-size: 1.25em;"><b><a href="http://mashup.starwars.com/">http://mashup.starwars.com/</a></b></font><br />where you can use the official video clips provided by Star Wars and create your own Star Wars fanvideo.<br /><br /><br />This site is operated on an interesting video sharing platform called "<font style="font-size: 1.25em;"><b><a href="http://eyespot.com/">Eyespot</a></b></font>".<br />They are not merely a video sharing site, but more of an online video remix site.<br /><br />If I were to name 3 features of Eyespot, I would name<br />1) Video editing functions (especially their editing "<a href="http://eyespot.com/share?cmd=permalink&amp;r=338f45bb57c5d73508f5a123a04b96479ae3f0a93eb60c5124decb8861079dff4eef46d10f124aea41728d0b5725121292c60679fe11fdb93a14e5504f95bfb18b8e9b801b379604">effects</a>")<br />2) Contents (They have contracts with <a href="http://eyespot.com/mixables">various content holders</a> like musicians and movie creators, <br />&nbsp;&nbsp;&nbsp; and you can download those clips to your own folder with one click)<br />3) CC licensed (Anything you upload on this site must be Creative Commons Attribution license)<br />&nbsp; quote from "<a href="http://eyespot.com/terms/">terms of service</a>"<br /><br /><blockquote>However,<b> if you do choose to make Your Content available to other Eyespot users through the Eyespot website, you agree that Your Content is made available under the terms and conditions of the Creative Commons Legal Code (Attribution 2.5)</b> (the "Creative Commons License"), which is available here. The Creative Commons License <b>allows others to copy, distribute, display and perform Your Content, and to make derivative works and commercial use of Your Content without paying any royalties to you</b>. However, users are required to acknowledge your authorship and may only reuse or distribute Your Content under the same Creative Commons License. Please read the full terms of the Creative Commons License to understand your rights -- and the rights you are granting to others -- before sharing Your Content with other users of the Eyespot website.<br /></blockquote><br /><br />***<b>Anthologies</b>***<br /><br /><br />Another interesting thing about Japanese dojinshi culture is that <br />although dojinshi and Comikets are thought to be "grey" regarding the copyright infringement,<br />anime parody anthologies are being sold in bookstores.<br /><br />Anthologies are books that is full of parodies of animes, created by multiple doujin manga creators<br />and published by commercial publishers.<br /><br />I was actually amazed by looking at top pafe of manga section of <br />Kadokawa- one of the largest publishers in Japan<br />.<br />This is what they had:<br /><br /><br /><br />

<a href="http://s241.photobucket.com/albums/ff278/siva001/?action=view&amp;current=4-3.png" target="_blank"><img src="http://i241.photobucket.com/albums/ff278/siva001/4-3.png" alt="Photobucket" border="0" /></a>
<br /><br /><br /><br />On the left, they sell Code Geass anthology, and on the right they sell the original Code Geass manga.<br /><br />Kadokawa is a very interesting company indeed... they are doing various experimental projects.<br /><br /><br />***<b>Kadokawa &amp; YouTube</b>***<br /><br /><br />"Haruhi" was an anime that was broadcasted in smaller TV stations,<br />not with national TV stations. But people loved it so much- and people who were able to watch the anime<br />started uploading the anime clips to YouTube.<br />(Completely illegal.)<br /><br />And then, there were people who started creating English subtitled versions (called fansubs)<br />and those fansubs had enormous advertisement effect, <br />and when Kadokawa started selling English DVD of Haruhi,<br />it sold <b>60,000 copies</b> just in North America.<br />(Haruhi was sold 80,000 copies in Japan)<br /><br />Kadokawa learned from this fact, and decided to have alliance with YouTube as follows:<br /><br />1) Kadokawa will create a "<a href="http://jp.youtube.com/user/KADOKAWAanime">Kadokawa Channel</a>" on YouTube, and will upload video contents there.<br />2) Kadokawa will give "reference movies" to youTube, and if there are any similar videos uploaded,<br />&nbsp;&nbsp;&nbsp; uploader will get a warning, and Kadokawa will get an alert. (90% accuracy according to Kadokawa)<br />3) Kadokawa can decide either to "delete" that video, "leave as it is" or "officialize" that video<br />&nbsp;&nbsp;&nbsp; -officialize meaning they will put a logo that the video is accepted by Kadokawa, and put ads on it.<br />4) Kadokawa might offer works such as movie creation of scenario writing- to the creators found on YouTube.<br />&nbsp;<br />Why did this happen? <br /><br />It is based on a decision made by <b>Tsuguhiko Kadokawa</b> who is the chairman of Kadokawa Group Holdings.<br />According to various articles, he saw various MAD animes created by users and uploaded on <br />YouTube, Nico Nico Douga, etc.<br /><br />Views of Kadokawa's copyright infringement videos amounted 100million views.<br /><br />He felt that merely telling them that it is illegal and turning them down isn't just right.<br />When Comiket started, publishers thought of them as "pirates" and they're bad,<br />Kadokawa thought of them as <b>fans</b> and <b>a new place that creates new creators</b>.<br />The same thing is happening here- this time in the video industry.<br />He wanted to find out a way to approve them.<br /><br />"We shouldn't turn down the creators, nor should we diminish the motivations of those creators<br />by not paying for the contents/creators.<br />Japan should make a new system where it is benefitial for all of the <br />creators, distributers and content holders."<br /><br /><br /><br /><b>Indeed- Japan is getting a great opportunity with creativity of users,<br />and is facing a need for a new system to cope with such creativity.</b><br /><br /><br />Quote from Professor Nakayama from University of Tokyo:<br /><br />Copyright system had the premise that professionals will be creating contents<br />and it does not match current trend of users generating various contents.<br />There is a need to reform the copyright system as well as promote the idea of "Commons".<br /><br />Anyone can create contents and upload them on the internet.<br />It is an era of <b>100million creators</b> (Japanese population is 100 million)<br />Also, copying has become so easy and probably everyone has a possibility that he or she<br />copied something illegal- it is also an era of <b>100 million criminals</b>.<br /><br />He states that the idea of "<b>Commons</b>" should be promoted more<br />-Creative Commons is based on the idea that "most contents will not be in commercial world"<br />and that it is trying to <b>support the creators' will to get their contents distributed and/or reused by others</b><br />as well as <b>fulfill the users' will to use the contents</b>.<br /><br />]]>
        
    </content>
</entry>

<entry>
    <title>Interview with Kristopher Tate</title>
    <link rel="alternate" type="text/html" href="http://joilab.ito.com/2008/03/interview-with-kristopher-tate.html" />
    <id>tag:joilab.ito.com,2008://3.51</id>

    <published>2008-03-04T11:08:38Z</published>
    <updated>2008-03-04T11:27:30Z</updated>

    <summary>I had an opportunity to interview Kristo...</summary>
    <author>
        <name>Fumi Yamazaki</name>
        <uri>http://fumi.vox.com</uri>
    </author>
    
    <category term="zooomr" label="zooomr" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://joilab.ito.com/">
        <![CDATA[I had an opportunity to interview Kristopher Tate,<br />founder of <a href="http://zooomr.com/">Zooomr</a> back in October last year.<br /><br />Sorry for the delay in uploading this, Kristopher :(<br /><br />Zooomr is an interesting photo-sharing realtime communication service:)<br />Kristopher is AMAZING. He started programming at the age of 4, <br />and founded/started Zooomr when he was 17, doing all of the programming, marketing, etc. <br />He is 19 years old as of October 2007 when I did the interview.<br /><br /><br /> 


<object height="350" width="425"><param name="movie" value="http://www.youtube.com/v/oX9STK_9Ym4" /><embed src="http://www.youtube.com/v/oX9STK_9Ym4" type="application/x-shockwave-flash" height="350" width="425"><br /></object>]]>
        
    </content>
</entry>

<entry>
    <title>Nico Nico Douga</title>
    <link rel="alternate" type="text/html" href="http://joilab.ito.com/2008/02/nico-nico-douga.html" />
    <id>tag:joilab.ito.com,2008://3.49</id>

    <published>2008-02-27T06:01:29Z</published>
    <updated>2008-02-29T18:26:05Z</updated>

    <summary>In Japan, there is an interesting servic...</summary>
    <author>
        <name>Fumi Yamazaki</name>
        <uri>http://fumi.vox.com</uri>
    </author>
    
    <category term="nicovideo" label="nicovideo" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://joilab.ito.com/">
        <![CDATA[In Japan, there is an interesting service called "<a href="http://www.nicovideo.jp/"><b><font style="font-size: 1.25em;">Nico Nico Douga (Smile Video)</font></b></a>".<br />"Nico Nico" means "smile", and "Douga" means "video".<br /><br />Basically, it is a video sharing site like YouTube etc, but what makes <br />Nico Nico Douga special is that the users can write comments "on" the video.<br /><br /><b>================================<br />1) Overview: what is Nico Nico Douga?<br />================================</b><br /><br />Nico Nico Douga is a video sharing site that enables the users to write comments "on" the video.<br />
<br />In general, video sharing sites (like YouTube) enables the users to <br />write comments beneath the videos in the comments section, but not "on" the video.<br /><br />So what is good about putting comments on the videos?<br />The answer is- that the comments itself becomes communication / contents / art&nbsp;&nbsp; :)<br /><br />Personally speaking, if I were to view the same video content,<br />I'd rather see it on Nico Nico Douga than any other video sharing sites.<br /><br />Nico Nico Douga requires you to register your account first<br />before you can upload videos, comment, or even watch the videos.<br /><br /><a href="http://www.tokyotronic.com/2007/11/how-to-register-for-nico-nico-douga.html">This article</a> gives you English instructions on how to get Nico Nico account :)<br />-Let me know if you have any problem getting an account I think I can help out.<br /><br />

One example of Nico Nico videos can be seen here:<br /><br />

<iframe src="http://www.nicovideo.jp/thumb/sm1097445" style="border: 1px solid rgb(204, 204, 204);" frameborder="0" height="176" scrolling="no" width="312">&lt;a href="http://www.nicovideo.jp/watch/sm1097445"&gt;【ニコニコ動画】【初音ミク】みくみくにしてあげる♪【してやんよ】&lt;/a&gt;</iframe>


<br /><br /><br />A)&nbsp; Comments as <font style="font-size: 1.25em;"><b>communication method</b></font><br />---------------------------------------------------------------------------<br /><br />For example, people watch videos of the seminars and comment and / or ask questions<br />and answer those questions etc "on" the video.<br /><br />This clip is from a speech of Mr. Sasaki who works for Crypton <br />and is in charge of a Desktop Music Software called "Hatsune-Miku"<br />talking at the Japan Developers Conference.<br />Their CEO Ito-san loves the clips that the users created with Hatsune-Miku, <br />and Sasaki-san mentions how Ito-san is watching the Miku clips of Nico Nico Douga at his office :)<br /><br />It is a very lovable situation when you imagine- and people are smiling<br />"wwww" means "laughter" in Nico Nico world.<br /><br />


<a href="http://s241.photobucket.com/albums/ff278/siva001/?action=view&amp;current=nico1.png" target="_blank"><img src="http://i241.photobucket.com/albums/ff278/siva001/nico1.png" alt="Photobucket" border="0" /></a>

<br /><br /><br />B) "<font style="font-size: 1.25em;"><b>Danmaku comments</b></font>"<br />------------------------------------------------<br />
<br />When you listen to music or go to Karaoke, people tends to sing along the "main phrase".<br />Just like that, people "comments" of the main phrase of songs in Nico Nico Douga.<br /><br />

"danmaku" means "curtain fire" in Japanese. 
<br />In the following picture, you can see how comments look like curtain fire or barrage.<br /><br /><br /><br />&nbsp;<a href="http://s241.photobucket.com/albums/ff278/siva001/?action=view&amp;current=nico2.png" target="_blank"><img src="http://i241.photobucket.com/albums/ff278/siva001/nico2.png" alt="Photobucket" border="0" /></a>

<br /><br /><br />

C) Comments as "<font style="font-size: 1.25em;"><b>art</b></font>"<br />------------------------------------<br />
<br />Anyone can easily comment on Nico Nico Douga, it is very easy.<br />And when you think about "comments", you usually imagine a short and simple one line text.<br />However, Nico Nico users' creativity far exceeded that presumption.<br />They create great art works using the "comment function" of Nico Nico Douga<br />using different size, colors, speed, etc with various techniques and calculations.<br /><br />


<br />

<a href="http://s241.photobucket.com/albums/ff278/siva001/?action=view&amp;current=nico3.png" target="_blank"><img src="http://i241.photobucket.com/albums/ff278/siva001/nico3.png" alt="Photobucket" border="0" /></a>

<br />

<a href="http://s241.photobucket.com/albums/ff278/siva001/?action=view&amp;current=4.png" target="_blank"><img src="http://i241.photobucket.com/albums/ff278/siva001/4.png" alt="Photobucket" border="0" /></a>

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<a href="http://s241.photobucket.com/albums/ff278/siva001/?action=view&amp;current=1-4.png" target="_blank"><img src="http://i241.photobucket.com/albums/ff278/siva001/1-4.png" alt="Photobucket" border="0" /></a>


<br />

<a href="http://s241.photobucket.com/albums/ff278/siva001/?action=view&amp;current=5-1.png" target="_blank"><img src="http://i241.photobucket.com/albums/ff278/siva001/5-1.png" alt="Photobucket" border="0" /></a>
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<a href="http://s241.photobucket.com/albums/ff278/siva001/?action=view&amp;current=9.png" target="_blank"><img src="http://i241.photobucket.com/albums/ff278/siva001/9.png" alt="Photobucket" border="0" /></a>
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<a href="http://s241.photobucket.com/albums/ff278/siva001/?action=view&amp;current=6-3.png" target="_blank"><img src="http://i241.photobucket.com/albums/ff278/siva001/6-3.png" alt="Photobucket" border="0" /></a>

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<br /><br /><br />This is a great video to see those "comment arts"<br /><br /><a href="http://www.nicovideo.jp/watch/sm711238">comment arts from "Kumikyoku Nico Nico Douga"</a><br />(more on this song "Kumikyoku" later)<br /><br />Also, when this Kumikyoku was viewed 2million times or 3 million times,<br />those "shokunin"s starts to actively demonstrate their techniques as celebration.<br /><br /><a href="http://www.nicovideo.jp/watch/sm1525748">2 million views festival<br /></a><a href="http://www.nicovideo.jp/watch/sm2246704">3 million views festival week 1</a><br /><a href="http://www.nicovideo.jp/watch/sm2311714">3 million views festival week 2</a><br />
<a href="http://www.nicovideo.jp/watch/sm2332512">3 million views festival week 3<br /></a>
<br />I think the reason why Nico Nico users were able to create such artistic comments<br />is because of ASCII art culture that here in Japan way before there was Nico Nico Douga.<br />&nbsp;<br />へのへのもへじ existed from the old old days,<br /><br />&nbsp;<a href="http://s241.photobucket.com/albums/ff278/siva001/?action=view&amp;current=5-2.png" target="_blank"><img src="http://i241.photobucket.com/albums/ff278/siva001/5-2.png" alt="Photobucket" border="0" /></a>


<br />and other AA(ASCII ARTS) had existed in Japan for a long time.


<br /><br /> 　　 　∧＿∧　　／￣￣￣￣￣ <br /> 　　（　´∀｀）＜　&nbsp;&nbsp; hello! <br /> 　　（　　　　） 　＼＿＿＿＿＿ <br /> 　　　｜ ｜　| <br /> 　　（_＿）＿） <br /><br /><br /><br /><b>======================================================<br />2) The community / Nico Nico and its stats<br />======================================================</b><br /><br />I think <font style="font-size: 1.25em;"><b>the community</b></font> is the most important aspect of Nico Nico Douga.<br /><br />They are extraordinarily talented in finding interesting / funny stuff<br />and / or creating interesting / funny stuff.<br /><br />Systemwise, being able to comment "on" the video" is not unique any more<br />- there are various competitors that entered the market.<br /><br />However, what makes Nico Nico so special is that the community and their contents<br />that create the addictive-ness of Nico Nico Douga.<br /><br />Number of users of Nico Nico and its competitors (as of October, 2007), <br />data source <a href="http://www.netratings.co.jp/hot_off/archives/NNR12152007.htm">Net Ratings</a> <br />&nbsp;


<br />Nico Nico Douga&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;3,860,000<br /><a href="http://jimaku.in/">Jimaku.in</a>&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp;&nbsp; 119,000<br /><a href="http://nifnif.nifty.com/">Nif Nif Douga</a>&nbsp;&nbsp; &nbsp; &nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 11,000<br /><br /><br /><a href="http://s241.photobucket.com/albums/ff278/siva001/?action=view&amp;current=3-2.png" target="_blank"><img src="http://i241.photobucket.com/albums/ff278/siva001/3-2.png" alt="Photobucket" border="0" /></a><br /><br /><br />YouTube has 14,551,000 users which far exceeds Nico Nico Douga,<br />but as for the amount of time spent in the site, Nico Nico is double that of YouTube.<br /><br />Nico Nico Douga&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 2 hours 50 minutes 10 seconds<br />YouTube&nbsp;&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1 hour&nbsp;&nbsp;&nbsp;&nbsp; 6 minutes 53 seconds<br /><br />"Nico Chu" has become a popular world, <br />and it means "Nico Nico addict"<br />People becomes addicted to Nico Nico so much.<br /><br /><br /><br />This chart is also from Netratings (press release of 2007/9/21)<br /><br />It compares number of visits and hours of usage per user<br />

of YouTube and Nico Nico Douga- you can see how drastic Nico Nico Douga is attracting usage.<br />

<br />


<a href="http://s241.photobucket.com/albums/ff278/siva001/?action=view&amp;current=1-1.png" target="_blank"><img src="http://i241.photobucket.com/albums/ff278/siva001/1-1.png" alt="Photobucket" border="0" /></a>

<br /><br /><br /><br />&lt;other stats&gt;<br /><br /><b><a href="http://blog.nicovideo.jp/niconews/2008/01/000824.html">5,000,000 registered users</a></b> (as of 2008/1/19 )<br /><b><a href="http://blog.nicovideo.jp/niconews/2008/01/000824.html">174,000 paid users</a></b>(Nico Nico Premium) (as of 2008/1/21)<br /><b><a href="http://blog.nicovideo.jp/niconews/2008/02/000878.html">1,000,000 mobile users</a></b> (as of 2008/2/10)<br /><b><a href="http://blog.nicovideo.jp/niconews/2008/01/000837.html">800,000,000th comment posted</a></b> (as of 2008/1/25)<br /><br />- Data source: <a href="http://blog.nicovideo.jp/niconews/">Dwango</a><br /><br /><b>60 million PV / day, 2,000,000,000 PV /&nbsp; month</b><br />(Operated by only 16 Web servers and 10 DB servers!!)<br /><br />-Data source: <a href="http://itpro.nikkeibp.co.jp/article/COLUMN/20071211/289262/?P=3">Nikkei IT Pro</a><br /><br /><b>6,000 videos per day is being uploaded</b><br /><br />-Data source: <a href="http://www.pia.co.jp/interview/nishimurahiroyuki/index_2.html">@Pia interview</a><br /><br /><b>Nico Nico's peak traffic is 60Gbps, and is worth 1/12 of the total traffic of Japan.</b><br />Active users are 1 million people per day.<br /><br />-Data source: <a href="http://japan.cnet.com/marketing/story/0,3800080523,20361579,00.htm">CNet Japan</a><br /><br />Business model of Nico Nico Douga is not merely Ad model. <br /><b>Revenue per month is over 100,000,000 yen</b> (100,000 USD) , <br />most of which comes from paid customers (<b>Nico Nico Premium users who pays 525 yen per month</b>).<br /><br />- Data source: <a href="http://business.nikkeibp.co.jp/article/tech/20080213/147197/?P=2">Nikkei BP Online</a><br /><br />&lt;Revenue per month, as of November 2007&gt;<br /><br />


<a href="http://s241.photobucket.com/albums/ff278/siva001/?action=view&amp;current=4-2.png" target="_blank"><img src="http://i241.photobucket.com/albums/ff278/siva001/4-2.png" alt="Photobucket" border="0" /></a>


<br /><br />- Data source <a href="http://japan.cnet.com/marketing/story/0,3800080523,20361579-2,00.htm">CNet Japan</a><br /><br />Viacom was suing YouTube(Google) in US, Viacom Japan is having a contract with Nico Nico Douga.<br />Viacom Japan will create "MTV brand" page within Nico Nico Douga, and have a revenue share on the ad revenue.<br /><br />- Data source: <a href="http://japan.cnet.com/interview/story/0,2000055954,20358540,00.htm">CNet Japan</a><br /><br /><br /><b>======================================================<br />3) User Generated Contents<br />======================================================<br /></b><br /><br />One feature of Nico Nico Douga is that not many people do not upload <br />mere packages such as TV dramas and animes,<br />as mere packages are mostly deleted in Nico Nico Douga.<br /><br />Most of the contents are user generated contents such as <a href="http://en.wikipedia.org/wiki/MAD_Movie">MAD</a>s (fan-made videos) or DIYs (songs, dances, etc)<br /><br />People create and remix videos every day, <br />and there is a great "Remix Culture" within the Nico Nico Community.<br /><br />In Nico Nico Douga, not only the video itself, but various things are&nbsp; "User generated".<br /><br /><br /><br />A) <b>User generated videos<br /></b><br />Videos are created and uploaded by the users so it is user generated,<br />but as I mentioned previously, contents in Nico Nico are mostly MADs, Remixes and DIYs <br />that are created by the users, not mere packages of TV shows, animes etc.<br /><br /><br /><br />B) <b>User generated comments</b><br /><br />Of course comments are generated by the users, <br />but the way users started to create art with comments are very very unique.<br /><br /><br /><br />C) <b>User generated tags</b><br /><br />You can add tag to your own video, but you can add tag to other people's videos too,<br />and the "tag" section has become an&nbsp; area to communicate among the viewers and the video owner.<br /><br /><br /><br />D) <b>User generated affiliates (Nico Nico Ichiba)</b><br /><br />Users can add products to the affiliate section,<br />and there are various funny / joke products in those sections<br />as the Nico Nico users LOVES finding and creating funny things.<br /><br />There are lots of chaotic and crazyish videos in Nico Nico Douga.<br />Beneath those videos, you can find affiliates such as a ringtone saying "hey, calm down..."<br />or a CD called "hmm, this can be okay...".<br /><br /><br /><br />This is an <a href="http://www.nicovideo.jp/watch/sm2077247">amazing video using ARToolKit</a>, and its affiliate section has<br />a ringtone saying "The future is in our hands!" and "The great Japan" <br />and "Bach: Wachet auf, ruft uns die Stimme" meaning there is a calling...<br /><br /><br /><br />BTW, currently even if you put lots of videos, lots of comments, lots of affiliates, <br /><b>none of the revenue goes to the users</b>.<br />Then why do people participate? It is because it is fun. Because they like it.<br />&nbsp;<br /><font style="font-size: 1.25em;"><font color="red">They are doing it for the love, not for the money</font></font>.<br /><br /><br /><b>===========================<br />4) Examples of Nico Nico Videos<br />===========================<br /></b><br /><br />Contents you can see in Nico Nico Douga are various.<br /><br />A)&nbsp; "<font style="font-size: 1.25em;"><b><a href="http://www.nicovideo.jp/watch/sm9">Onmyoji</a></b></font>".<br />This is one of the most famous videos, and is said to be one of the first "Danmaku" videos.<br /><br />It was broadcasted on a Japanese TV show on 2007/3/17.<br />Personally, what interested me the most was that the guest in the TV show<br />was shown various services and clips and in the end when she was asked which one was the most interesting she chose this.<br /><br />Until then, I thought these videos were not for "ordinary" people like her, but it was... :)<br /><br />B) <b>DIYs</b><br /><br /><a href="http://www.nicovideo.jp/watch/sm1210028">Played "Jonetsu Tairiku" alone</a><br />(Believe it or not, this person is still a highschool student)<br /><br />Drawn a picture series<br />"<a href="http://www.nicovideo.jp/watch/sm1493006">an ear speaker</a>" "<a href="http://www.nicovideo.jp/watch/sm2302019">Sleeping Pharmacist</a>"<br /><br /><a href="http://www.nicovideo.jp/watch/sm1642964">Created the Opening video of an anime "Higurashi" using Excel</a><br /><br />"<a href="http://www.nicovideo.jp/watch/sm2322242">Hello Windows</a>", a song made by sampling Windows system sounds<br />　A further "<a href="http://www.nicovideo.jp/watch/sm2349707">remix of Hello Windows"</a><br /><br />C) <b>Cats</b><br /><br />Cats are LOVED by Nico Nico community<br />"<a href="http://www.nicovideo.jp/watch/sm1642964">Neco Nabe</a>""<a href="http://www.nicovideo.jp/watch/sm1643138">Lethal Weapon Kitty</a>"<br /><br />D) <b>VOCALOID</b><br /><br />Hatsune-Miku is the most famous of the VOCALOID series.<br />Please refer to <a href="http://joilab.ito.com/2008/02/hatsunemiku.html">my previous article I have posted before</a>.<br /><br />Some more videos of Miku:<br /><br /><a href="http://www.nicovideo.jp/watch/sm2321776">3DCG: dancing Miku</a><br /><a href="http://www.nicovideo.jp/watch/sm2400989">Mikus sang "Kimi wo nosete"</a><br /><br />E) <b>IDOLM@STER</b><br /><br />IDOLM@STER is a name of a game that enables you to <br />become a producer and produce an idol talent.<br /><br />BTW, this Master Artists series has the total of 6,000,000,000 yen<br />including all the games and related products, which is like... gosh!!!<br /><br />- Data source: <a href="http://ascii.jp/elem/000/000/107/107893/">ASCII</a><br /><br /><a href="http://www.nicovideo.jp/watch/sm241">Tokachi</a><br /><a href="http://www.nicovideo.jp/watch/sm611444">Go My Way</a><br /><br /><br />F) <b>Kumikyoku Nico Nico Douga (Suite Nico Nico Douga)<br /></b><br />There were lots of hit songs within Nico Nico Douga<br />(regardless of whether it is a hit outside Nico Nico...)<br /><br /><a href="http://www.nicovideo.jp/watch/sm1076447">Makka na Chikai&nbsp; (Version J)</a><br /><a href="http://www.nicovideo.jp/watch/sm83">Gum- Rockman- Okusenman! (Version Gum)</a><br /><a href="http://www.nicovideo.jp/watch/sm335810">Priests' Aquarion (Full Version)</a><br /><br />From the collection of those songs, <br /><font style="font-size: 1.5625em;"><b><a href="http://www.nicovideo.jp/watch/sm500873">Kumikyoku Nico Nico Douga</a></b></font> was created.<br /><br /><br />Then, various remixes were created.<br /><br /><a href="http://www.nicovideo.jp/watch/sm2104625">piano version</a><br /><a href="http://www.nicovideo.jp/watch/sm2095387">origninal</a><br /><a href="http://www.nicovideo.jp/watch/sm682897">Version J</a>　（1,272,933 views!)<br /><a href="http://www.nicovideo.jp/watch/sm1292463">Grand Finale</a><br /><br />G) <b>Real world</b> impact<br /><br />A company called Rantis decided to release a CD of those Nico Nico musicians<br /><br /><a href="http://www.amazon.co.jp/o/ASIN/B0011XTAIS/250-9558482-0625838?SubscriptionId=1N1JNYM5DVFTMHFYD902">Rantis Kumikyoku feat.Nico Nico Artists [Maxi]<br /></a><br />Also, <a href="http://www.nicovideo.jp/watch/sm2257453">Nico Nico musicians decided to do live performances</a>.<br /><br /><br />H) <b>DANJO</b><br /><br />An artist called "Taro" sang a song called "Danjo (man and woman)" <br />and it became very popular in Nico Nico world, with <a href="http://i.ixnp.com/images/v3.19/t.gif">various videos</a> created.<br /><br />Then, a user created an anime video of VOCALOID characters dancing to this song:<br /><a href="http://www.nicovideo.jp/watch/sm1989010">Bakaito and Hetaren dancing with Danjo</a><br /><a href="http://www.nicovideo.jp/watch/sm2097776">Bakaito and Hetaren increased version</a><br /><br />and this anime video became traced by hundreds of people with different characters.<br /><a href="http://www.nicovideo.jp/watch/sm2241068">Danjo with Higurashi</a><br />
<a href="http://www.nicovideo.jp/watch/sm2304544">Danjo with Moyashimon</a><br /><br />People also started <a href="http://www.nicovideo.jp/watch/sm2101218">dancing to this song</a><br />And someone <a href="http://www.nicovideo.jp/watch/sm2121801">remixed this dance video</a><br />and this dance was <a href="http://www.nicovideo.jp/watch/sm2243294">remixed with other videos</a>....<br /><br /><br />I) <b>UMAUMA</b><br /><br />A Swedish artist called "Caramell" released a song called "<a href="http://www.nicovideo.jp/watch/sm2203432">Caramelldansen</a>" back in 2001.<br />The lyric sounds like this in Japanese : "No I don't need Barsamico vinegar" "ooh, ooh, yum yum"<br /><br />Then, someone found <a href="http://www.hongfire.com/cg/showphoto.php/photo/54624">this flash anime</a> created in August, 2006<br />and started copying the video with various characters.<br /><br /><a href="http://www.nicovideo.jp/watch/sm1650066">Caramelldansen</a><br /><a href="http://www.nicovideo.jp/watch/sm2190589">Caramelldansen IDOLM@STER</a><br /><a href="http://www.nicovideo.jp/watch/sm2243338">Caramelldansen Donad</a><br /><a href="http://www.nicovideo.jp/watch/sm2260746">Caramelldansen CLANNAD</a><br /><a href="http://www.nicovideo.jp/watch/sm2244897">Caramelldansen Kagamine Rin/Ren</a><br /><a href="http://www.nicovideo.jp/watch/sm2258556">Caramelldansen Kaito</a><br /><a href="http://www.nicovideo.jp/watch/sm2298241">Caramelldansen SOS</a><br /><a href="http://www.nicovideo.jp/watch/sm2396863">Caramelldansen Pikachu</a><br /><br />There are various <a href="http://www.nicovideo.jp/watch/sm2250923">"digest" versions<br /></a><br /><a href="http://www.nicovideo.jp/tag/caramelldansen?sort=v">tag search result for "caramelldansen" amounts to 1,024 clips!</a><br /><br /><br />People also uploads videos of various <b>seminars, tutorials</b> <br />(how to use various softwares), and learn/teach through those videos.<br /><br /><br /><b>======================<br />5)&nbsp; Rights and Rules<br />======================<br /><br /></b>Nico Nico Douga has its own delete rules, and if the video is breaking those rules,<br />they will be deleted right away.<br /><br />1) Nico Nico hires a "deleter" person, and delete illegal contents <br />&nbsp; especially pornographic contents.<br /><br />2) Content holders are able to get "<a href="http://www.smilevideo.jp/static/rpg/description.html">violation combat program</a>"<br />&nbsp; which enables them to delete videos if they find any violation of their rights.<br /><br />3) Users can submit complaint directly from any video.<br /><br />Also, the Nico Nico users has developed their "common sense" within the community<br />and most of them believes that the content creator should receive respect.<br /><br />If the content owner is selling those content, <br />then they know it is a BAD thing if any of the community member uploads those contents fully.<br />(Remixes and excerpts are generally thought of as OK, as it will increase the promotional effect) <br /><br /><br />]]>
        
    </content>
</entry>

<entry>
    <title>Japanese ad market report</title>
    <link rel="alternate" type="text/html" href="http://joilab.ito.com/2008/02/japanese-ad-market-report.html" />
    <id>tag:joilab.ito.com,2008://3.47</id>

    <published>2008-02-21T01:01:02Z</published>
    <updated>2008-02-21T07:29:46Z</updated>

    <summary>Dentsu announced the Japanese ad market ...</summary>
    <author>
        <name>Fumi Yamazaki</name>
        <uri>http://fumi.vox.com</uri>
    </author>
    
    <category term="ad" label="ad" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://joilab.ito.com/">
        <![CDATA[Dentsu announced the Japanese ad market report.<br /><br />Here is the summary:<br /><br /><br />1) <b>Total ad market of Japan is 7,019,100,000,000 yen</b> (approximately <b>58.5 billion dollars</b>)<br /><br />&nbsp;&nbsp;&nbsp; -over 7 trillion yen for the first time<br />&nbsp;&nbsp;&nbsp; -increase from 2006 is only 1.1%<br /><br />2) <b>Internet ads, especially mobile ads is growing</b><br /><br />&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; -<b>internet ads became the 3rd largest ad media</b> <br />&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; (1:TV 2:newspapers, 3:internet, 4:magazines)<br /><br /><br />&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;  &nbsp;&nbsp;  *Note that TV, newspapers, magazines and radio ads were <br />&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; the 4 top "mass ad media" in Japan,<br />&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;  &nbsp;&nbsp;&nbsp;  and in 2005 internet ads surpassed radio ads which was a big news.<br />&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;  &nbsp;&nbsp;&nbsp; On 2007, internet ads surpassed magazines <br />&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; and became the 3rd largest ad media<br />&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; which is a big news for the Japanese ad industry.<br /><br />&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; -<b>internet ad market is 600.3 billion yen</b> (24.4% increase from 2006)<br /><br />&nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp; -media fee is 459.1 billion yen（126.5% compared to 2006）<br />&nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp;&nbsp;&nbsp; -mobile ad is 62.1 billion (159.2％ compared to 2006)<br />&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp;&nbsp; &nbsp; mobile ads are used a LOT by national clients for mass campaigns <br />&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp; on drinks, automobiles, etc<br /><p>&nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp; &nbsp;&nbsp;&nbsp; （number of cell phone contracts in Japan as of 2007/12 is 100 million.）<br />&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp; -within this 62.1 billion yen mobile ad market, <br />&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; mobile search ad is 8.5 billion yen. &nbsp;&nbsp; &nbsp;&nbsp;  <br />&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; -search ad market is 128.2 billion yen.</p><p>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; -internet ad production fee is 141.2 billion yen (118.1％ from 2006)<br /></p><br />&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &lt;Japanese Ad Market&gt;<br /><br /><span class="mt-enclosure mt-enclosure-image"><a href="http://joilab.ito.com/ad/%E3%83%94%E3%82%AF%E3%83%81%E3%83%A3%2071.html" onclick="window.open('http://joilab.ito.com/ad/%E3%83%94%E3%82%AF%E3%83%81%E3%83%A3%2071.html','popup','width=416,height=248,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://joilab.ito.com/ad/%E3%83%94%E3%82%AF%E3%83%81%E3%83%A3%207-thumb-400x238.png" alt="ピクチャ 7.png" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" height="238" width="400" /></a></span><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &lt;Japanese Ad Market&gt;<br /><span class="mt-enclosure mt-enclosure-image"><a href="http://joilab.ito.com/ad/%E3%83%94%E3%82%AF%E3%83%81%E3%83%A3%2081.html" onclick="window.open('http://joilab.ito.com/ad/%E3%83%94%E3%82%AF%E3%83%81%E3%83%A3%2081.html','popup','width=399,height=312,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://joilab.ito.com/ad/%E3%83%94%E3%82%AF%E3%83%81%E3%83%A3%208-thumb-400x312.png" alt="ピクチャ 8.png" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" height="312" width="400" /></a></span><br /><div><br /></div><div><br /></div><div><br /></div><div><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>Hatsune-Miku</title>
    <link rel="alternate" type="text/html" href="http://joilab.ito.com/2008/02/hatsunemiku.html" />
    <id>tag:joilab.ito.com,2008://3.46</id>

    <published>2008-02-10T05:31:43Z</published>
    <updated>2008-02-10T21:28:07Z</updated>

    <summary>I think lots of people are writing about...</summary>
    <author>
        <name>Fumi Yamazaki</name>
        <uri>http://fumi.vox.com</uri>
    </author>
    
    <category term="crypton" label="crypton" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="hatsune" label="hatsune" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="hatsunemiku" label="Hatsunemiku" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="miku" label="miku" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://joilab.ito.com/">
        <![CDATA[I think lots of people are writing about <a href="http://www.crypton.co.jp/mp/pages/prod/vocaloid/cv01.jsp">Hatsune-Miku</a> nowadays<br />but it seems that there still are people who has never seen nor heard of it,<br />so I would like to briefly summarize what is happening here.<br /><br /><br />1)What is Hatsune-Miku?<br /><br />It is a DTM (Desktop Music) software created by <a href="http://www.crypton.co.jp/">Crypton Future Media</a>.<br />It was released in 2007,and was the best selling DTM software.<br />&nbsp; -DTM software that sells 1000 copies are supposed to be hit- Hatsune-Miku sold 30,000.<br />Its price is 140USD (15,000JPY)<br /><br /><span class="mt-enclosure mt-enclosure-image"><a href="http://joilab.ito.com/miku/%E3%83%94%E3%82%AF%E3%83%81%E3%83%A3%202.html" onclick="window.open('http://joilab.ito.com/miku/%E3%83%94%E3%82%AF%E3%83%81%E3%83%A3%202.html','popup','width=805,height=694,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://joilab.ito.com/miku/%E3%83%94%E3%82%AF%E3%83%81%E3%83%A3%202-thumb-400x344.png" alt="original.png" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" height="344" width="400" /></a></span><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />According to BCN, Hatsune-Miku got nearly 30% of the share of DTM music,<br />and <a href="http://bcnranking.jp/award/2008/special/publish/family.html#l22">won the sound related software div. of BCN ranking last year</a>.<br /><br /><br /><span class="mt-enclosure mt-enclosure-image"><a href="http://joilab.ito.com/%E3%83%94%E3%82%AF%E3%83%81%E3%83%A3%2011.html" onclick="window.open('http://joilab.ito.com/%E3%83%94%E3%82%AF%E3%83%81%E3%83%A3%2011.html','popup','width=551,height=281,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://joilab.ito.com/assets_c/2008/02/%E3%83%94%E3%82%AF%E3%83%81%E3%83%A3%201-thumb-400x203.png" alt="miku.png" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" height="203" width="400" /></a></span><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Crypton has released their second product of the Character Vocaloid series: <a href="http://www.crypton.co.jp/mp/pages/prod/vocaloid/cv02.jsp">Kagamine-Rin/Ren.</a><br /><br /><br /><br /><br />I think Hatsune-Miku is creating a completely new phenomena,<br />where people who had never created music (just listens or hums or sings in Karaoke etc)<br />started creating original music using Hatsune-Miku.<br /><br />Just like what blogs did in text world, what Youtube did in video world,<br />Hatsune-Miku is creating consumer generated "music" market in Japan.<br /><br />It stimulated people’s creativity, not only did people create music, <br />but people who heard the music started to draw <br />amazing pictures, animes, and 3DCGs etc for the music.<br /><br /><br /><br /><div>2) Why was Hatsune-Miku so successful?<br /><br /><br />Hatsune-Miku is not just a "software", but it has a character “Miku” <br />which you can see the picture as above, and its profile. <br />It is more like a virtual idol, and people who loved Miku started using the software <br />and it became to have a viral effect.<br /><br />The voice is that of a very popular anime voice actor, Saki Fujita.<br /><br />Quality of the software itself was good in that it was using "Vocaloid" software <br />which was originally developed by YAMAHA.<br />You can easily create songs and make Miku (with a cute voice) sing it for you<br />- which stimulated user's motivation.<br /><br />A popular video sharing site in Japan called "<a href="http://www.nicovideo.jp/">Nico Nico Douga</a>" ( meaning Smile Video ) and its community<br />contributed to the success of Hatsune-Miku largely.<br /><br />&nbsp;&nbsp;&nbsp; I am plannig to write another post separately about <a href="http://www.nicovideo.jp/">Nico Nico Douga</a>, but just in short<br />&nbsp;&nbsp;&nbsp; -it is a video sharing site by Niwango<br />&nbsp;&nbsp;&nbsp; -viewers can comment "on" the video itself, not beneath the videos as in YouTube etc.<br />&nbsp;&nbsp;&nbsp;&nbsp; which enables the users to communicate on top of the video contents asynchroniously<br />
&nbsp;&nbsp;&nbsp;&nbsp; (and you don’t have to be logged in at the same time like Joost or Second Life etc)<br />
&nbsp;&nbsp;&nbsp; -time spent per user exceeded YouTube according to NetRatings, <br />&nbsp;&nbsp;&nbsp;&nbsp; it is using 1/12 of Japanese internet traffic now.<br />&nbsp;&nbsp;&nbsp; -you cannot see videos unless registered and logged in, yet it is very very popular<br />
&nbsp;&nbsp;&nbsp; -personally, I think it is much more fun to watch the same clip on Nico Nico Douga than Youtube <br />&nbsp;&nbsp;&nbsp;&nbsp; in that "comments" are "communication"<br />
&nbsp;&nbsp;&nbsp;&nbsp; and we feel like we're watching the video together with the community.<br />
&nbsp;&nbsp;&nbsp;&nbsp; -users can add videos, comments, subtitles, tags, affiliates, etc<br />
&nbsp;&nbsp;&nbsp;&nbsp; -it is a very dense community<br /><br /><br /><br />Anyways, I think this large and deep and dense community was one of the driving forces<br />that pushed Hatsune-Miku to one of the "hit" products.<br /><br /><br />3) Examples of various clips created by users<br /><br />* You need a Nico Nico Douga account to watch the following videos.<br /><a href="http://www.tokyotronic.com/2007/11/how-to-register-for-nico-nico-douga.html">This article</a> gives you English instructions on how to get Nico Nico account :)<br />-Let me know if you have any problem getting an account I think I can help out.<br /><br /><a href="http://www.nicovideo.jp/watch/sm1097445">Miku Miku ni shiteageru (I will make you Miku Miku!)</a><br />One of the most popular Hatsune-Miku songs.<br />It got Jasraced and is on karaokes now.<br /><br /><a href="http://www.nicovideo.jp/watch/sm1050729">Koi Suru Voc@loid</a><br />
One of the most popular Hatsune-Miku songs.<br />
It got Jasraced and is on karaokes now.<br />
<br /><a href="http://www.nicovideo.jp/watch/sm1715919">Melt</a><br />One of the most popular Hatsune-Miku songs.<br /><br /><br /><br />When people create original and wonderful song with Miku,<br />others started to put pictures for that music, animes for that music, <br />and even 3DCGs for the music and the quality of those contents are AMAZING.<br /><br /><br /><br /><br />Examples of Miku 3DCG videos can be seen as follows:<br /><br /><a href="http://www.nicovideo.jp/watch/sm1359820">Miku Miku ni shiteageru</a><br /><br /><a href="http://www.nicovideo.jp/watch/sm1717276">Koi suru Voc@loid</a><br /><br /><a href="http://www.nicovideo.jp/watch/sm1929913">Watashi no Jikan</a> (my time)<br />&nbsp; -<a href="http://www.nicovideo.jp/watch/sm1340413">original song</a><br /><br /><a href="http://www.nicovideo.jp/watch/sm1783839">Melody</a><br />&nbsp; -<a href="http://www.nicovideo.jp/watch/sm1381337">original song</a><br /><br /><br /><br />Mr.Gibson who is an amazing Miku-3DCG creator started a lecture series<br />on <a href="http://www.nicovideo.jp/mylist/3020761">how to create 3DCG lecture videos</a> for others to create.<br />There are 10 lessons so far.<br /><br /><br /><br /><a class="video" href="http://www.nicovideo.jp/watch/sm982882" target="_blank">Levan Polkka</a><br />
<br />
The song is not original, but someone made this anime <br />
that Miku plays around with onion and this onion became <br />
the "sign" of Miku and spread throught the community.<br />
Also, this cute deforme Miku came to be called "Hachune-Miku"<br />
which like a baby pronunciation of "Hatsune-Miku".<br /><br /><br /><br />Because users love Hatsune-Miku,<br />Someone made <a href="http://www.nicovideo.jp/watch/sm1500585">Miku sing Der Hölle Rache kocht in meinem Herzen.</a><br />

Someone made a video <a href="http://www.nicovideo.jp/watch/sm1077399">drawing Miku</a><br />Someone made a <a href="http://www.weshow.com/jp/p/24307/">tutorial of Hatsune-Miku</a><br /><a href="http://www.nicovideo.jp/watch/sm1077399"></a><br />etc.. etc...<br /><br /><br />This positive and creative viral effect of people creating contents for the love not for the money<br />(they are not paid...!) is really really amazing.<br /><br /><br /><br />...and not only did this phoenomena end as people creating songs and making Miku (the software) sing,<br />but people started to sing or play instruments of those Miku-original music in the real world.<br /><br /><br /><br /><br /><a href="http://www.nicovideo.jp/watch/sm1762448">
</a><a href="http://www.nicovideo.jp/watch/sm1762448">Sung "Melt"</a><br /><a href="http://www.nicovideo.jp/watch/sm1815384">Played "Melt" with recorders</a><br /><a href="http://www.nicovideo.jp/watch/sm1799291">Played "Melt" with Alto Sax</a><br /><a href="http://www.nicovideo.jp/watch/sm2239339">Played "Hajimete no Oto" with acoustic guitar</a><br /><a href="http://www.nicovideo.jp/watch/sm1633168">"Miku Miku ni Shiteageru" orchestra version<br /></a><br /><br /><br /><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>Interview with Irene</title>
    <link rel="alternate" type="text/html" href="http://joilab.ito.com/2008/02/interview-with-irene.html" />
    <id>tag:joilab.ito.com,2008://3.45</id>

    <published>2008-02-06T03:05:13Z</published>
    <updated>2008-02-06T03:33:34Z</updated>

    <summary>I wrote a post about our seminar on huma...</summary>
    <author>
        <name>Fumi Yamazaki</name>
        <uri>http://fumi.vox.com</uri>
    </author>
    
    <category term="burma" label="burma" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="irene" label="irene" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" x